Forum Replies Created

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  • Danny Baron

    July 12, 2016 at 9:17 pm in reply to: Low Rez H.264 vs ProRes Proxy Editing

    Did you ever find an answer? I’m thinking of transcoding my DSLR footage to DNX LB 1080p for offline on my laptop. Or lower res .h264. I found once the multicams are loaded the drive and or laptop really slows down.

    Thanks.

    Danny

  • Danny Baron

    July 10, 2016 at 10:57 pm in reply to: Best editting codec for Premiere Pro

    I see now that it is not possible to choose match source.

    My question then is if I have a 24p project and I want to slow some footage that I shot at 60p how should I set the transcode for my offline laptop editing? Do I make some ingesting at 60p and some at 24p? if I do them all at the same setting knowing I will return to the original footage at the end will that work?

    Danny

  • Danny Baron

    July 10, 2016 at 10:02 pm in reply to: Best editting codec for Premiere Pro

    I am trying to make DNX proxies. I am confused by a couple of things. All my footage is h264. I shot some at 60p for slow mo — other footage is 24 and 30. Should I check “match source rewrap” to maintain my 60p for easier slow mo — or should I make everything 24p as that is what the project will be in?

    Any suggestions re: which DNX to use? The choices are different than what I was used to having in AVID (DNXHD 36). Also it was never my job to transcode so this is all confusing to me.

    I have to transcode because right after the shoot I leave town and will edit on a laptop which can’t keep up with the multicam using native h264. I tested it.

    Thanks!

    Danny

  • Danny Baron

    August 1, 2014 at 9:51 pm in reply to: Trouble renaming video tracks

    Michael, Thanks. Can you tell please me how to set to default view so that I can see the numbers that AVID is seeing? Thanks.

    [Michael Phillips] “You renamed tracks as different numbers? That’s a trick we play on Assistants to really throw them for a loop.

    Try resetting timeline to default view which should order the tracks as Avid seems them internally. If renaming, don’t just use a number, or make that number unique like V01 rather than V1 to tell it’s yours.

    Danny

  • Danny Baron

    July 31, 2014 at 6:46 pm in reply to: Trouble renaming video tracks

    Thanks. Yes. Bit of a mess here.

    Danny

  • Danny Baron

    July 31, 2014 at 6:44 pm in reply to: Trouble renaming video tracks

    Thanks

    Danny

  • Danny Baron

    May 7, 2014 at 6:43 pm in reply to: 2:40 Aspect Ratio Matte FCP 7

    Thanks for the info.

    I guess I’ll have to figure out Photoshop.

    Strange they have 2.55 but neither 2.39 or 2.40.

    Another reason to jump to Avid.

    Danny

    Danny

  • Did you ever find an answer to this problem? i am trying to install 7 but my uninstaller is telling me just what you say here. I cam manually uninstall — but i am afraid i may miss something.

    Danny

  • Danny Baron

    July 15, 2013 at 12:56 pm in reply to: Time warp distorting image

    Michael, thanks.

    Danny

  • Danny Baron

    April 13, 2011 at 7:32 am in reply to: 5D and 7D footage in the same FCP timeline

    Did you do okay with this mix? i am about to do the same. Mixing 5D 1920×1080 (shot @29.97) and the 7D 1280×720 (shot @ 60). Did this cause any problems? Is there anything should keep in mind? Thanks.

    Danny

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