Dan Marlow
Forum Replies Created
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I see. Going to try this workflow on our system and see if it works out. For now just trancoding everything to offline res, which s saving us precious unity space to.
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Copying entire card contents to an esata drive into folders named A1, A2 matching the cards. These are within a folder named after the shooting date.
Are you on the same generation Mac Pro?
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Hi.
Colour correct the first clip. Drag the effect icon into a bin. Select all clips in segment mode. Double click the effect icon in the and it will apply to all selected clips.
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Should anyone else have this problem – it is gone by MC 5.0.2
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Preaching to choir.
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Hi,
Should look something like the picture found in this thread –
https://forums.creativecow.net/thread/142/863026
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Just a quick though – was the BPAV folder structure copied intact?
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In fairness, it is an issue of time, rather than laziness. There are alot of clips arriving each night.
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Hi.
With the latest version of premiere you should theoretically be able to export an aaf which avid can import. The media will show up a offline, but using MCs ama you should be able to link to the movs, and then batch import the tiffs and targas.
Avid, when not using AMA, does an actual import. Unlike FCP or Premiere, which really just “link” to your media, Avid as you say, transcodes it into MXF or OMF – the file format on which Avid runs.
That is why it asks for a resolution. 1:1 or 1:1 10bit will be fairly “lossless”. If you’re working in HD, then DNXHD 185x or 220x will be a very high quality compressed HD format.
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If all your clips are in one bin, go File – Link to AMA – and choose Top Bin from the dialogue box.
If they’re not, what i tend to do is select the highest level possible on your drive and then link them all to one bin, making a load of new clips. While making these new clips it should also relink all the existing ones. Then just trash the new bin.