Forum Replies Created

Page 13 of 215
  • Daniel Low

    May 4, 2010 at 10:23 pm in reply to: Multiview Video Compression – 3D for Blu-Ray

    [Andrew Saliga] “Do you think it’d be possible to encode a standard 2D BR disc in a side-by-side or over-and-under stereoscopic format and manually set a 3D TV to read it as a 3D disc?”

    I very much doubt it. The studios are keeping all this stuff very close to their bank accounts. If it were even the slightest bit easy, the pirates would be all over it. I sincerely hope you find a way! Good luck.

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  • Daniel Low

    May 4, 2010 at 9:51 am in reply to: Convert MOV. to AVI

    Which AVI CODECs do you want to use?

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  • Daniel Low

    May 3, 2010 at 1:53 pm in reply to: high end output; which codec to use in FCP?

    If your source is clean and you used the high quality ProRes Codec and then exported it to H.264 with high quality settings then I’m not sure where the noise came from.

    Can you describe this noise or post a picture of it?

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  • Daniel Low

    May 2, 2010 at 9:52 pm in reply to: h264 Fade Up Looks awful

    My pleasure.

    Please rate my posts 😉

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  • Daniel Low

    May 2, 2010 at 8:05 pm in reply to: h264 Fade Up Looks awful

    Keyframes to automatic. Forced keyframes at 10x your frame rate so in your case every 300 frames or every 10 seconds, if you still have problems with fades (which you should make last at least 2 seconds) reduce that to every 150 frames

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  • Daniel Low

    May 2, 2010 at 7:55 pm in reply to: h264 Fade Up Looks awful

    [jm knowles] “Is this going to be a problem? “

    No.

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  • Daniel Low

    May 2, 2010 at 7:35 pm in reply to: h264 Fade Up Looks awful

    A few observations:

    Exporting from FCP is never going to give you good results. Use compressor!

    I’m confused by the use of a DV frame size (720×480), square pixels and an anamorphic flag.

    You should be using a frame size like 720×400 square pixel – that will give you a correct 16:9 (1.77:1) frame. At the moment your frame aspect ratio is 1.5:1 which is neither 4:3 or 16:9 but somewhere in between.

    Correct the frame size, use compressor and things will look much better.

    If you need help with frame sizes look at the post from Craig at the top of the forum.

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  • Daniel Low

    May 2, 2010 at 10:44 am in reply to: Quality AND file size

    Try the Apple Prores codec.

  • Daniel Low

    April 30, 2010 at 9:58 pm in reply to: MainConcept Plug-in for Compressor

    Boom!

    😉

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  • Daniel Low

    April 30, 2010 at 9:57 pm in reply to: Best FCP Workflow Compression Settings

    [Tom Laughlin] “DVDSP doesn’t use file size of the source, it uses the “time” of the source file, to determine what to do with the file, and you can see in the upper right hand corner of DVDSP, there is a meter, showing you if the file will sustain itself and fill the DVD’s maximum space. “

    No, not quite right. It uses ‘time’ based on the preferences set relating to datarate in the Encoding preferences plane and the size of the DVD you are using.

    [Tom Laughlin] “So, if you import a file into DVDSP, and it’s a 2 hour file, it doesn’t matter if it is an 16GB file or a 16MB file, it will automatically calucate the encode, and how much compression will be needed. Another thing, if the file (your QT .mov) is about 3 or 4 GB, the compression hit will not be as harsh as a hit from a file that is around 8GB. “But”, remember, the source file, if it is uncompressed to begin with, it will not take 2 hits. People say that when you use Compressor and then use DVDSP, it takes 2 hits, the first is big, and the 2nd, not so much, it’s more of a DVDSP format-check, not an actual encode, but in a sense. There’s no control over a file once it hits DVDSP, so that’s why you send it out of FCP uncompressed, and let it take just one compression hit, or more like a pass, not a hit. “

    You’ve got 99% of the above totally wrong. RTFM!!!

    If you compress the file with compressor or Episode or any other MPEG2 ‘coder to .M2V + audio, then all DVDSP does it to make VOBs from those files.

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