Creighton Matthews
Forum Replies Created
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Creighton Matthews
April 28, 2010 at 12:37 pm in reply to: Canon’s Digital Photo Pro to Photoshop Darkness issueHi Bob,
Thanks for replying. I actually figured out what my issue was. I had DPP referring to the wrong monitor profile. I had just recalibrated and didn’t change the profile in DPP. Thanks also for the insight into Digital Photo Pro. Now that I have my calibration issue solved, I’ll be using that for my RAW conversions. I have the most up to date version of Camera RAW for Photoshop CS2, but they quit making CS2 RAW updates in order to get folks to upgrade to CS3, CS4, or….I guess CS5 now. Anyway, thanks for responding and have a good day!
Creighton
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Creighton Matthews
April 26, 2010 at 12:07 pm in reply to: RAW Conversion with Digital Photo Professional into Photoshop CS2Thanks for the reply! I was actually able to solve my dilemma. I had Digital Photo Pro pointing to the wrong display icc profile. Once I corrected that I was in business. Thanks again!
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Creighton Matthews
February 20, 2009 at 8:27 pm in reply to: Motion Paths, Trapcode Particular, & 3D space, OH MY!I got it folks! Thanks for all of the suggestions. I animated my emitter in Particular and wanted something to follow that (hard). All I needed to do was animate a null and have my emitter follow that (easy). I’m actually a little embarrassed that I didn’t think of that in the first place, but I already had my emitter animated. Oh well… Thanks a ton!
Creighton
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Creighton Matthews
February 20, 2009 at 8:01 pm in reply to: Motion Paths, Trapcode Particular, & 3D space, OH MY!Would you mind explaining how to separate the x, y, and z position dialogs? I didn’t know that could be done. If I can do that, the rest should be gravy. Thanks a lot!
-Creighton
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Trapcode’s Shine is good for the volumetric light look. I think the Cycore filters that came with AE 6.5 has something similar as well.
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Add a link to this commercial, so people know what you’re talking about.
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Also, there is a good possibility that you are rotating the camera around the object as opposed to rotating the object on its axis. If you are rotating the camera, then your backside will be dark due to the fact that your lights are still aimed at the object’s front.
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Adobe’s Classroom In A Book series, I found, was a great way to learn the more basic points of AE. Its essentially a guidebook for a large project whose main components are spread across individual chapters (or lessons). It comes with all of the footage needed to complete the lessons and is a great way to learn through immersion.
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You can use a displacement map. Check out the tutorial on displacement mapping. It’s by Aharon Rabinowitz (I think…..and please forgive the spelling) and it’s awesome. It should give you an idea on how to achieve your flag.
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There’s also Video Look by Digieffects. The tutorial on here is really good, though..