Claude Lyneis
Forum Replies Created
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Thanks for the tips. I think the project will be in a fairly unsophisticated assembly without a lot of transitions. Still trying to sort out how 7 to X handles the original media and where it should reside so everything links up automatically.
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There is always the old fashioned way use a slate with clapper to mark the sound on the camera and external track.
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I have also been wondering about whether copying both the card and importing into FCPX then backing up both of those is overkill.
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That looks exciting. Hope they work out the crashing though, I still get some crashes on the current version.
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If the new version of Color Finale stops crashing FCPX, that would be worth 50 bucks.
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Actually, Fusion has be 30 years away for the last 60 years, but the analogy is a good one.
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Interesting to me that ESPN. ABC and FOX are broadcasting at 720p/60. Since I am shooting at 1080p/60 that doesn’t make my gear seem so antiquated. I do like the 60 fps since I mostly do sports and use a lot of slow motion. Not that my stuff gets to the big guys, it just run on Youtube!
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Thanks Simon, that is indeed the article. I learned a lot reading it.
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A very timely subject for me, since I had just watched a number of student documentaries where the eye lines were very disconcerting. After reading the comments above I went back to a favorite of mine, a Frontline story “League of Denial” edited by Steve Audette. In it the eye lines are very close to the lens, but never on it. I know Audette wrote up how it was shot and edited, but I can’t find the link now. Anyway, it is far different looking from the example above.
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VGA is awful. A lot of the projectors can work with HDMI off of a mac and that is much better. Not to Hollywood standards but a big improvement on VGA.