Chris Wright
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Audio Coin
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COW Coin
Forum Replies Created
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i’m not an adobe engineer but the jist looks like it doesn’t like that particular format for import. try transcoding it to prores, cineform, or dnxhd then import the new file. if it’s variable framerate(which i’m unsure as you haven’t posted mediainfo) you can try handbrake to constant framerate transcode.
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shallow depth of field needs open aperture like f stop 1.4. the m4/3 has a crop factor that increases the actual focal length.
what are you doing for sound? need a mic input? or recording sound separately?
gh5 has UHD 60fps if you need that. you can get manual lenses or electronic panasonic lenses or get adapters from other brands.
gh5 has one extra f-stop in dynamic range. g85 0.5 stop better low light than gh4.
if you want low light, you’ll need a f/1.0 lens with speedbooster or extreme darkness will require a7s2. ibis helps with this.
g85(UDH), no heaphone jack and gh5 4k have image stabilization over gh4. -
30.0003 is sometimes an indication of variable frame rate which might also be messing up after effects. try my handbrake solution posted above.
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does the file size change with muxing? any quality loss? 10 bit support? if this works, then adobe should implement muxing instead of transcoding proxies.
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can you post the mediainfo on the video codec? it might be variable framerate which is not natively supported. you can try handbrake convert to constant framerate, checkbox the correct framerate and enter value.
you can also try to download an older copy of after effects to work with the duplicate frame removal script. CS4? wow, that’s old. I saw a post that said that CS6 still works with it and you can still get CS6 in the adobe cloud.
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Premiere actually does grade you-get-what-you-see in sRGB if your monitor is also calibrated sRGB. premiere will ignore any other color profiles. quicktime is not sRGB(0-255 gamma 2.2). quicktime(depending on the version), RGB values are 16-235 with various gamma styles like 1.8 or 2.4.
Furthermore, if you colorgrade in Premiere and your monitor is not sRGB, you will get incorrect grades because you are grading in the wrong native color profile. VLC can match premiere perfectly if you set its video output to OpenGL. Also, nvidia control panel needs to be set to 0-255 so that your gfx card doesn’t change your RGB values in media playback.
Also,
external displays are still limited by adobe’s mercury transmit protocol that is hard coded to rec. 709 so you’ll need to match that too. -
Does the problem go away if you use a cineform proxy or play half resolution?
Or software renderer?
Uncheck h.264 acceleration? -
Have you tried color stabilizer on an adjustment layer?
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hmmm, i didn’t see much in here. they lowered contrast and saturation. maybe tinted red towards pink. how is this a preset?
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Adobe audition delete silence no duration change automatic.