Chris Wright
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Audio Coin
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COW Coin
Forum Replies Created
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if adobe not having the money/resources to remove dolby in older versions and thus having to remove cc 2015 and older Entirely doesn’t shake your confidence in the subscription model, what will? the only bottom line is their bottom line.
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are you going the slog2 and vlog route? or standard neutral profile route? just remember that you will have to grade to the worst dynamic range camera so if the 6500 is slog2 and the gh5 is standard, the gh5 will have less f stops and faster white/black clipping. shooting with a chip chart would also make it easier to match the colors later or you will have to manually use scopes and eyeball it.
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key ‘f’ match frame works too to load it into master clip.
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sony a6500 APS-C around $1200 has ibis.
panasonic gx85 m4/3 is around $500 and has ibis. with cheap adaptor you can use other mounts.both cameras won’t do low light like a7sii.
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after effects cc has ‘Detail Preserve Upscale’ which is comparable to instant 4k or anything with smart unsharp bicubic interpolation.
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if its not your native monitor color profile, then you will need to click the embed color profile option on output. if its rec. 709 or srgb, it will probably match even without embedding as its working in ‘native’ mode. vlc should display color better than quicktime. just set its output to opengl and set nvidia control panel to 0-255.
I have done extensive testing for color management. As long as you have a good codec filter, everything will match perfectly. Here’s my adobe check for render color change. When I play rendered files in vlc, it says apple quicktime RLE video.
mpc-hc player said ‘original apple specs’ ‘format:RLE codec ID rle’I tested both AE(no color management) and vlc(opengl) before exporting, both exact same pixels.
I tested all 3 types of alpha mattes, premultiplied, straight, none. all same pixels.
I encoded h.264 with AME, same pixels.
I imported the AME h.264 back into AE, same pixels.
I imported the quicktime h.264 back into AE, same pixels.
I opened the quicktime h.264 into VLC opengl, same pixels
I opened the AME h.264 in VLC opengl, same pixels. -
i’d first run declip, then declick, then adaptive noise reduction. enable its ‘noise output only’ checkbox so that if you hear voices, then you have the wrong settings. also, change its frequency selection so that you ignore normal vocal ranges as well. play with the FFT sizes. usually 4096 is a good starting point. You could also try a noise print where she isn’t talking for noise reduction effect.
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that one doesn’t sound too bad. its not rumbly as much. i think now your missing some high freqs, its all super low end. but you seem to have a much cleaner signal so you can probably fix the eq in post or if you have a mixer. probably 1khz and 2, and 4 play with those. maybe double check 180, 250, 500 hz. play with those. I think your on to something.
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good post above. also, it may be beneficial to check your frequency waveform. there might be some hidden lows freqs around 200hz and below that might be creating a low hum feedback effect similar to resonance. they would be obvious as sharp peaks in an otherwise flat waveform.