Chris Poisson
Forum Replies Created
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One more thing, I tried playing other projects, same result, so it’s not a corrupt project. New projects, same thing.
Have a wonderful day.
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When you put your sequence into the 4×3 timeline, usually you don’t have to mess with the aspect ratio, FCP should letterbox it for you and off you go to Beta.
Have a wonderful day.
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Another way to do this with any title generator is to just copy and paste the clip and then go into it and retype.
Have a wonderful day.
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Dom,
For what you want to do I think fiber channel would be best.
Have a wonderful day.
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David,
When you do that, where in DVDSP would you get control over compression settings, filters etc?
Have a wonderful day.
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reel2,
According to section 4 of this article, the render situation is as you describe. Worth the extra time? Pretty subjective call I’d say…
https://www.kenstone.net/fcp_homepage/compressor_warmouth.html
Have a wonderful day.
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3 other things to look at:
Resizer from Digital Anarchy and Instant HD from Red giant, both require HUGE render times, and take a look at chroma sharpen from Nattress, in the Gfilm set.
BTW regarding the above-mentioned Terranex, I believe they now make a unit we all can actually afford to buy!
Have a wonderful day.
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Mike,
Try nesting the clips before applying the drop shadow.
Have a wonderful day.
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This seems to make sense, thanks John.
Have a wonderful day.
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There’s a huge time difference, even with one-pass. However, the results specifically gamma and saturation can be markedly different, darker with the quicker method usually.
The way I understand it though, it’s a better encode all around doing it the long way, plus compression markers are made automatically in the direct method, see this article:
https://www.kenstone.net/fcp_homepage/compressor_warmouth.html
BTW there are several threads below discussing this and related Compressor issues.
Have a wonderful day.