Forum Replies Created

Page 8 of 14
  • Chris Paul

    April 5, 2007 at 1:54 am in reply to: octo core mac pros finally announced

    You could add one of these for blu-ray if you have to have it: https://www.mcetech.com/blu-ray/

    Chris Paul
    POV

  • I have had this problem, not just with Blackmagic but also with Cinewave. It seems to be tied to the Apple uncompressed 10 bit codec, especially when combined with anything with an alpha channel. I usually use 8 bit because of this. It probably won’t be resolved until Apple fixes the 10 bit codec. You could try the Blackmagic 10 bit RGB codec if you can deal with the color conversion and lack of real-time effects.

    Chris Paul
    POV

  • Chris Paul

    April 3, 2007 at 9:43 pm in reply to: Serious Multibridge pro problem

    This can be worked around. I have the same deck as you but work on a Mac. I usually capture 720P30 either converting on the fly via the Multibridge to DVCproHD from the deck’s component analog outputs or import the HDV directly via firewire. The key to conversion reliability seems to be using the RS422 deck control. Either way I can play back a 720p30 timeline using Blackmagic’s 720p59.94 display setting. I have made custom presets to make it easier. I have also had success with 24p but do not use it regularly.

    Chris Paul
    POV

  • Chris Paul

    March 30, 2007 at 7:23 pm in reply to: Layback to tape accuracy

    Hm… seems to only apply to PAL as my edits to tape are now exact as of the 6.1 update in NTSC.

    Chris Paul
    POV

  • Chris Paul

    March 19, 2007 at 3:52 pm in reply to: Capturing with the JVC BR HD 50 deck

    Just in case anyone is wondering this deck does down convert 720p to 480i NTSC via firewire.

    Chris Paul
    POV

  • Chris Paul

    March 13, 2007 at 8:09 pm in reply to: Pro Mist filter plugin

    Just right click on the cliip and they pop up.

    Chris Paul
    POV

  • Chris Paul

    March 13, 2007 at 7:48 pm in reply to: Pro Mist filter plugin

    Try this- no filter needed!

    1) Duplicate a clip and place it above original on the timeline.
    2) Add Gaussian blur to the upper clip.
    3) Enable composite mode on upper clip- “screen” for pro mist or “soft light” for black pro.

    Adjusting the amount of blur and using different composite modes can produce a lot of subtile or not so subtile effects.

    If you still want a filter, I am very fond of the Nattress Film Effects series

    Chris Paul
    POV

  • The Caldigit HD444 will do RAID10, which is the standard config for the Apple Xserve RAID. Obviously SATA and Fiberchannel work very differently, but it is certainly worth a look. I was originally thinking of a fiberchannel array for capacity, speed, reliability and to get the @#$%@#% thing out of the edit bay. I am now thinking of getting something like the Caldigit and putting it and the Mac in another room via a KVM extender.

    Chris Paul
    POV

  • Chris Paul

    February 12, 2007 at 11:42 pm in reply to: Voiceover…a quick question..

    Garage Band has ducking buit in. It does not link to FCP the way Soundtrack does but it is certainly cheap and you can watch video while recording audio with it. Wouldn’t hurt to demo it and see if it works for you.

    Chris Paul
    POV

  • Chris Paul

    February 8, 2007 at 7:21 pm in reply to: Kona 3 and the Mac Pro

    [walter biscardi]

    [Post Office Video] “BTW, can Kona products record and play back audio at the same time the way Avids can?”

    You mean real-time playback of the video / audio you’re recording? Yep”

    I mean something like this: In Soundtrack Pro record some voice, add some music etc. Now enable recording on another track and record new VO while the talent listens to the other tracks for reference. Avids and my old Cinewave could do this, Blackmagic cannot. What about AJA?

    Chris Paul
    POV

Page 8 of 14

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy