Myself and the editor were a little alarmed when we realized there was no keycode data on the footage we’re editing. But it’s the DI house’s low-budget solution to DI work. I don’t understand it to well, but it sounds simple enough. The timecode on the DV relates back to an intermediate tape. When we send them the EDL, they will go to that tape, find the keycodes, and then use that info to make the DI. They assured us there would be no problem with the A frame or anything. It’s something they’ve done for several features.