Chris Borjis
Forum Replies Created
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yeah one system drive
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[Paul Jay] “Proper Audio meters,
Proper AudioUnit IntegrationI want ALL soundtrack Pro plugins directly in FCP including visual representation of the Plugins.
No crappy sliders. Just the Plugin Interface.”agree with no sliders.
but what do you mean by proper audio meters?
I find the audio mixer meters work quite well, though
a VU and simultaneous digital readout somewhere would be kinda cool. -
where did the 5.1 audio come from?
A pro-tools session?need to add any details you have on the surround mix.
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and packaged with “Blu-Ray Studio Pro”
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I’ve done quite a bit of XDCAM and this is what I do.
do the xdcam xfer, while in xfer you can find out what flavor
of xdcam it is, ie 1080P 30 VBR etc…. to load the appropriate easy setup.then edit in an xdcam timeline in final cut pro..BUT change
the render settings of the xdcam sequence to ProRes, that way you
don’t have to render the whole timeline.This has worked well for me for quite some time.
Save often. if you happen to have multiple timelines open you will likely get the spinning beach ball and a crash. This is a characteristic of fcp7 with xdcam and having multiple sequences open.
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yes there is.
If you have a Kona or Decklink card, you can overlay a graphic in real time while outputting to tape.
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I need to ask, is the broadcast safe filter really that unreliable?
I’ve found that if I check the luma levels on all clips in a sequence and adjust down those that are out of bounds, then apply the safe filter on extremely conservative….I never have problems.
The question: is it only “unreliable” for those that don’t have time to color correct their sequences?
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just for the heck of it, try converting that non pro res footage to pro res.
It’s all the same frame rate right?
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As long as the framerate is the same it should work quite well.
Set the render codec in the sequence setting to ProRes for best results.
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imac