Chris Borjis
Forum Replies Created
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[Ryan Knight] “I was exporting 4K 10-bit DPX sequences from REDCINE-X after doing a one-light, then exporting that sequence out Shake as ProRes 4444 QTs and then cutting in 4444 and doing a CC in Color.”
That seems nearly impossible with your configuration.
I’m sure apple would love to examine your system.
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[Eric Jurgenson] “With a 3rd party export to tape app, you would probably have to export your sequence to a file first – an extra step.”
For 95% of my projects I have to do that anyways for Blu-Ray/DVD/web versions.
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I’ve done a lot of capturing and edit to tape over the years
and it wouldn’t bother me at all….not one bit….if I could capture or output to tape and edit at the same time. -
mine says happy easter
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I know, it’s really silly to be jacked up that high.
I have heard it’s best not to question them though 😉
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[Michael Gissing] “I strongly suspect a typo. Most broadcasters use data rates around 8Mbs, not 80.”
not a typo.
KGW HD only takes mpeg2 streams at 80mbps.
DirecTV takes them at 50mbps.What they broadcast and what they accept as deliverables are 2 different things.
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several have mentioned that 3 point editing with a source window will be a configuration you can set it for.
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[Rafael Amador] “Where I don’t see the point is in converting 50Mbps stuff (XDCAMHD422) to 80Mbps.”
He said it’s for delivery to a tv station/network.
Thats the good reason 🙂
One of our local stations gets them that same way 80mbps.
It is over kill, but thats the requirement. -
I’ve not done an EDL for 6 years now.
Thats when we were offlining in Avid and conforming & onlining with Discreet *smoke.
Have not had a use for it since switching to FCP and only onlining.
But thats just me.
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or if you own After Effects CS4 or later you can use adobe media encoder.