Forum Replies Created

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  • Chris Borjis

    May 25, 2011 at 4:18 pm in reply to: Color correct/render issue

    final cut version

    quicktime version

    what rendering setting is it set for? 8-bit, 10-bit, high precision

  • [Taufik Ramadhan] “s it only the software ? or we should match the hardware too ?”

    yes match software.

    yes match hardware (g5 only or intel only)

    one of the forum members here pointed out the quality of prores was better on intel machines, I did testing and found that to be true.

  • [Chris Linke] “One Mac is a G5 with FCP 6, the other an Intel Mac with FCP 7.”

    the G5 has a different implementation of ProRes.

    again…matching software to machines helps.

  • Chris Borjis

    May 20, 2011 at 10:10 pm in reply to: true 24p won’t transfer as anything but 29.97

    are you sure its “true”

    I don’t think the vixia shoots in 24p advanced.

    try removing pull down with cinema-tools but again, your video is likely not 24p but 24p wrapped in 29.97 format.

  • Chris Borjis

    May 20, 2011 at 6:22 pm in reply to: compressor vs. encoder

    [Walter Soyka] “I wish Innobits would hurry up and release BitVice 3 HD.”

    seconded

  • Chris Borjis

    May 20, 2011 at 6:16 pm in reply to: Scanner Recommendations

    no scanner “best” works with final cut.

    You will have to scan images into a file (scan them as large as the scanner natively supports)

    then bring them in to photo shop and resize them down near the size of the sequence settings in final cut so they look good on the final product.

    A really nice scanner is the Nikon LS-2000 it also has an optional auto-loader which makes it easy to scan automatically. Model SF-200.

  • well you have two different versions of quicktime, that could be it.

    always best to be running the exact same software versions on both machines for consistency

  • Chris Borjis

    May 19, 2011 at 4:24 pm in reply to: compressor vs. encoder

    [Alan Okey] “I’ve discovered that Adobe Media Encoder’s scaling (CS4) is inferior to that of Compressor with frame controls turned on and scaling set to Best.”

    I’ve found the exact opposite. At least with 1080 footage.

    For 720P neither compressor nor adobe do an adequate job in my opinion.
    I always end up running it down through after effects to get it better and the kona card if it’s really aliased.

    A lot of it depends on the kind of footage you deal with though…

    I use compressor and media encoder for different things.
    Only media encoder can create the super high bitrate mpeg transport streams some of my local stations require for HD broadcast, compressor just doesn’t allow that.

  • Chris Borjis

    May 18, 2011 at 11:51 pm in reply to: H.264 compressor settings

    unsupported for real time playback…

  • Chris Borjis

    May 18, 2011 at 9:49 pm in reply to: quicktime .mov files losing sync on import

    32 bit audio?

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