Chris Bierlein
Forum Replies Created
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Perhaps, but when I export a Quicktime to post for clients, there’s that popping (that I’m not hearing through the external). How do I work around that one?
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I was stuck using the BT-LH80 this past weekend and have one major gripe about it that does not apply to the LH900. The LH80’s apparent brightness changes significantly depending on the vertical viewing angle. This made it very unsettling in terms of exposure. Yes, I know it has a waveform built in, but on the fly, I like to know that what I’m seeing is what I’m getting. There’s no question with the LH900.
Also, the absence of a switched out makes it impossible to loop through-not a problem for everyone, but an issue for me.
As far as a reliable field monitor, I swear by the LH900.
Chris B.
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Here’s another way to look at it…the HDX 900 records in what they call DVCPRO HD EX. The tape runs at a slower speed hence the discrepancies in record time. This is the same format the 1200 and 1400 decks record in as well. It’s kind of like LP mode on your old VHS. I was a little skeptical of this at first, but have yet to notice any quality issues.
Chris B.
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This is incorrect. The Panasonic 1200 and 1400 decks do downconvert through the firewire, to either DV50 or DV. I use this to digitize DVCPRO HD into FCP in DV mode regularly with my 1200 deck. I also use this to record DVD “dailies” of HD material onto my DVD recorder with Firewire input. You need to be sure the menu settings on the 1400 are correct for downconversion. Under the DIF series of menus (800’s I think), you can select which format to downconvert to.
Chris B.
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Same here. We’ve run up to a 4K par on putt putts and no problems. I think Tim’s right about the ballast.
Chris B.
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White shading can be a big issue. If the camera is set up for a video zoom lens, using the Zeiss primes will produce a visible color abberation. Frame up a white card or a white wall that’s evenly lit. If the shading isn’t correct, you will see a color shift between magenta and green from the top to the bottom of the frame (horizontal). It’s very apparent. Refer to the Varicam manual for the proper procedures for shading the camera. It’s easy, but you must follow the directions exactly.
As far as diffusion, the adapter itself is probably more diffusion than you’ll need. Test it out and see for yourself.
I’m not sure how this ground glass removal thing will work, but from my understanding, the ground glass (target) is crucial to the functioning of the device. Worth a try, though.
The adapter does not handle heavy backlight well. Too much and everything will look mushy and flared out. If you’re going to do a time lapse with the sun entering the frame, I would suggest using a B4 mount prime (ie a Digiprime) or an HD zoom.
4 or 6 FPS is best for time lapsing on the Varicam.
Good luck!
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The deck will downconvert through the firewire. It’s under the 800 menu settings (894 would read 002 if you want to output DV from a DVCPRO HD tape.)
CB
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I’ve used the Gates housing with the HVX200 and it worked great. Probably more expensive than you’re interested in spending, but very user friendly and perfect for your application.