[Chris Anderson]

Well that didn’t last long.

I’m still getting the quits about half way thru an export.

Any ideas?

[Chris Anderson]

An Update!

I was just able to export a Quicktime Movie (self contained) using the AJA 1080 60i ProRes instead of current settings.

[Chris Anderson]

Problem Solved!

I had the Y connected to the wrong bnc on the Kbox. Switching it the middle connection solved it. I’m surprised it was giving me a picture at first.

Thanks for the help.
Chris

[Chris Anderson]

no, the sequence settings are HDV 1080 60i. Plus the composite output looks fine.
It looks like an overlay of a grid of small squares.

[Chris Anderson]

Thanks Tom,
That solved the timing issue.
The last few sentences seem to all get bunched up into one character. If you resize the text to a smaller size it clears it all up but then the text is too small.

Thanks again,
Chris

[Chris Anderson]

No, it’s HDV with render set to ProRes. Plus it’s still there when I send a test signal from the control panel which I have set to 525/29.97 composite + y/c on my secondary analog out

Thanks,
Chris

[Chris Anderson]

Thanks Tom,

Are you changing the duration in the Motion tab under time remap? Also how do you avoid the jumbled text characters at the very end?

Thanks again,
Chris

[Chris Anderson]

Yes, Walter
I’m using a cable that has svideo on one end to 2 bnc connections which connect to the y and c of the Kona box.

[Chris Anderson]

well, there’s no one really to ask yet. The client isn’t the post house and is going to put it on a shelf for now. I just don’t know who, how or when they are going to use it.

I hope we will end up editing it but they always have multi-uses for their video.

If it was tape, I would create a new sequence, lay all the good clips with slates in some kind of order and created a new master tape plus a windows media file with time code burn to reference this new master.

I thought about going to DVCPRO HD tape but I am embracing the non-tape route and just trying to figure out new methods for my madness.

Thanks again for the help, I always appreciate it from this forum.
-Chris

[Chris Anderson]

Thanks Shane,

Actually I want to create new master media for the client to reference to from this point forward. This way if they bring it to another post house they would be able to provide this same media.

But I think what may be the easiest is to still to give them all the original P2 data for archival and also a window burn of just the good clips using the source timecode. This way they would only see a time code reference to what we selected but would also have access to everything. The time code burn would be non-sequential but at least would be accurite.

What do you think?