Captain Mench
Forum Replies Created
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I use a program called iPSP but as with the above program… Fiddly at BEST! (Actually, just bought an iPod video too. Dang, my travel bag is getting heavy!!!
CaptM
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Oops — fired before looking. Sorry John, didn’t mean to be short with YOU.
However. You can lay the TC generator filter on a nested sequence and it will play fine to the producer monitor. Not sure what AVID has that makes it different… but this will work fine.
CaptM
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Did you look for it?
(I can be short too)
CaptM
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There’s a timecode generator and a timecode reader in your Effects tab.
CaptM
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There’s a timecode generator and a timecode reader in your Effects tab.
CaptM
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Great article. Will explain in a big way the differences between 24p and 24pA.
Since you shot in 24p your goal should have been to get a ‘film look’ for 30fps televisions. With that in mind, the DVX saved the images to your camera in 29.97 fps with a pulldown cadence of 2:3:2:3. This is a standard cadence for broadcast in the NTSC world.
So — your capture AND your sequence settings should reflect 29.97 and go from there. If what you really wanted was 24 frames per second film out then you probably should have shot in 24pA. But G’s article will explain all that too.
Good luck,
CaptM
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Silly question, but I’ve got to ask…
Did you load the audio track INTO the track in DVDSP that has the video?
CaptM
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I’d nest the sequence and apply normalizing filters to the nest.
Or — better yet, export the audio as an audio track and bring into Soundtrack or Garageband and normalize there… then reimport it and turn off the other audio.
CaptM
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Try this link… there are a zillion ways to do this. 1.2 megs isn’t all that bad these days…
However:
https://www.dvplace.com/2FCPitems/cps4pod.html
Good luck,
CaptM
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No — this is square vs non-square pixels.
I’ve got an auto script in Photoshop to fix this…
wait — you’re talking about SLIGHT changes… right?
CaptM