Bryce Whiteside
Forum Replies Created
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Lyric Final Cut Pro Plugins – Pan Zoom Pro
Don’t worry Mr. B. I have a cunning plan…
PowerBook 1.67 Ghz ATI 9700 128 MB 2 GB
Final Cut Pro HD
DVD Studio Pro 3
Motion -
Bryce Whiteside
November 17, 2005 at 7:10 pm in reply to: Can someone explain High definition pleaseFor what you are asking in the Canon footprint would require the new Canon XL H1.
Don’t worry Mr. B. I have a cunning plan…
PowerBook 1.67 Ghz ATI 9700 128 MB 2 GB
Final Cut Pro HD
DVD Studio Pro 3
Motion -
Having worked for a graphic design/advertising agency/video post firm I alway got in the habit of saving out my files with a predetermined final delivery file type.
FileWithSameName.PSD = RGBA working graphics file with all the layer for Mac & PC
FileWithSameName.PCT = RGBA for Final Cut Pro & After Effects video production
FileWithSameName.PNG = RGBA (RLE) for MS PowerPoint and some web applications
FileWithSameName.JPG = RGB lossy graphic format for web applications
FileWithSameName.TIF = CMYK for print
FileWithSameName.TGA = RGBA (RLE) for PC 3DSMax, Digital Fusion After Effects video special effects production
etc.
My production pipeline thoughts,
Bryce WhitesideDon’t worry Mr. B. I have a cunning plan…
PowerBook 1.67 Ghz ATI 9700 128 MB 2 GB
Final Cut Pro HD
DVD Studio Pro 3
Motion -
Bryce Whiteside
November 16, 2005 at 5:54 am in reply to: Preserving Keyframe Moves in Final Cut when switching footageDon’t forget that you can disclose your keyframes right in the Sequence Timeline with Option-T. If one of them is visible in your Timeline clip you can drag them back in unison to where they need to be.
FYI,
Bryce WhitesidePS Advanced Editing Techniques in Final Cut Pro HD by DigitalFilm Tree & Michael Wohl had some techniques but my instructor textbook isn’t next to me at the moment–news at eleven.
Don’t worry Mr. B. I have a cunning plan…
PowerBook 1.67 Ghz ATI 9700 128 MB 2 GB
Final Cut Pro HD
DVD Studio Pro 3
Motion -
Bryce Whiteside
November 16, 2005 at 4:53 am in reply to: Exporting an EDL for clips that were not captured from tape?I believe in QuickTime Pro you can reset or set timecode before importing to FCP. Maybe something could be cobbled together with Cinema Tools database feature and/or its ability to import log files. FCP’s Cut Lists, Scene Lists and Pull List generation is tied to a Cinema Tools clip database.
Just brainstorming,
BryceDon’t worry Mr. B. I have a cunning plan…
PowerBook 1.67 Ghz ATI 9700 128 MB 2 GB
Final Cut Pro HD
DVD Studio Pro 3
Motion -
Don’t know about the brand spanking new iMac’s but the last product cycle iMac’s only had a one 400 Mbit firewire bus. I would double check.
FYI,
BryceDon’t worry Mr. B. I have a cunning plan…
PowerBook 1.67 Ghz ATI 9700 128 MB 2 GB
Final Cut Pro HD
DVD Studio Pro 3
Motion -
I get 8-bit uncompressed realtime playback through a Maxtor 250 external 400 Mbit firewire drive, so the G-Raid FW 800 drive you have would be the drive of choice. My demoreel is housed on the Maxtor. I bought the Maxtor because CompUSA had an instant rebate on it when 250 GB firewire drives were still just a bit pricey. Realtime effects are limited, but editing is doable–just use QuickView a lot for effects.
Make sure you get the ATI 9700 graphics with 128 MB and 2 GB of ram. Crucial.com is the most recommneded here on the CreativeCow.net. I am able to drive the PowerBook display and a Dell 2005 WSF 20″ wide screen monitor out of the DVI port on the PowerBook. The latest rage is the Dell 24″ wide screen with DVI, VGA, Composite, S-Video and Component inputs.
Also get a PCMCIA firewire adapter for the AJA IO LA since it is only 400 Mbit and you want the external firewire drive on its own 800 Mbit bus–the built in one on the PowerBook.
I choose the 15″ 1.67 Ghz PowerBook because the 17″ doesn’t really seem portable in a briefcase.
My 2
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You will need to Google.com the following terms:
“Lugz arrow” EminemFollow the first listing to its natural conclusion.
I posted a reply to Mike Peele congratulating him on his good call to a couple of links that parallel his speculation and logic, but the Cow took them down without so much as a personal email to me as to why. It seems like I might have mistakenly called him Matte, but that doesn’t make any sense.
I can only speculate that the web sites links are persona non grata around here. But like I said, I can only speculate.
Sorry about having to use the Secret Decoder Ring,
BryceDon’t worry Mr. B. I have a cunning plan…
PowerBook 1.67 Ghz ATI 9700 128 MB 2 GB
Final Cut Pro HD
DVD Studio Pro 3
Motion -
QuickTime Pro – QT Movies from FCP at KenStone.net
HTH,
BryceDon’t worry Mr. B. I have a cunning plan…
PowerBook 1.67 Ghz ATI 9700 128 MB 2 GB
Final Cut Pro HD
DVD Studio Pro 3
Motion -
Bryce Whiteside
November 11, 2005 at 7:11 pm in reply to: Possible to get 4:2:2 images from miniDV camera by capturing live into FCP?If you use DV, DVCAM or DVCPRO-25 apply:
1. Effects > Video Filters > Key > Color Smoothing-4:1:1
2. Effects > Video Filters > Key > Chroma Keyer
3. Effects > Video Filters > Key > Spill Suppressor–Green
Use this if you don’t get one of the 3rd Party keyers mentioned by Matte.
HTH,
BryceDon’t worry Mr. B. I have a cunning plan…
PowerBook 1.67 Ghz ATI 9700 128 MB 2 GB
Final Cut Pro HD
DVD Studio Pro 3
Motion