Brian
Forum Replies Created
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The best SD will come from shooting in HD and downconverting when you’ve got it all the way you like in your NLE.
Paulo Ciccone has some great presets for the hd100 to make the colors pop.
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So why am I only getting the audio track? I don’t have this issue with
edius on the same computer, with the same camera. -
I’ve been going to file then capture video with firewire to a sony trv900.
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The link to the article comparing the two cameras will provide you with some excellent, objective, and real world information. The article has been widely praised for it’s objectivity and fairness. dv.com also has some good comparison articles.
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How about shooting dvcpro50? that’s the only mode that offers true 4.2.2 color. It’ll give a decent record time as well relatively speaking.
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will it noise issue get fixed?
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“Everyone knows these cameras are in short supply. It’s reasonably prudent business give demo…. ”
not at all. it’s anti competitive. a single demo unit is fair–this kind of thing kills free enterprise. one day the mom and pop from “the dv shop” may be wearing name tags that say “wallmart”. how do you think panny would like dealing with wallmart? wallmart wouldn’t even buy the units, they’d consign them. ignore small business at your peril.
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ahem, so maybe us producers aren’t dumb afterall. what, me worry?
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“You will need at least FW800 drives to handle the higher data rate (G-Raids) or cheap external SATA Raids.”
-shane
————————-you need a raid set up to capture dvcpro50? first time i’ve heard that. i haven’t even heard that about dvcprohd which has a much higher data rate right?
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“Output. Either rent a DVCPRO 50 deck for a day to output to, or take the project or exported files to a post facility equipped with one.”
-shane
—————————how do go from the timeline to the dvcpro deck? component or firewire?