Forum Replies Created

Page 28 of 80
  • Brent Dunn

    December 5, 2011 at 7:31 pm in reply to: af100 for first time – lens?

    You do realize, you won’t be zooming like on your EX-1.

    Brent Dunn
    Owner / Director / Editor
    DunnRight Films
    DunnRight Video.com
    Video Marketing Toolbox.net

    Sony EX-1,
    Canon 5D Mark II
    Canon 7D
    Mac Pro Tower, Quad Core,
    with Final Cut Studio

    HP i7 Quad laptop
    Adobe CS-5 Production Suite

  • Brent Dunn

    December 5, 2011 at 7:29 pm in reply to: Software for Hdmi capture?

    If you recorded in 4.2.0 it doesn’t matter which out you use, it’s still 4.2.0. Just use your media card reader, copy the footage over and import to your software.

    You can set your software such as Final Cut Pro to 4.2.2, but your source footage is still 4.2.0 that has been upconverted. It doesn’t improve your footage.

    You need an external recorder tethered to the camera while recording to get true 4.2.2 recording into that recorder.

    Brent Dunn
    Owner / Director / Editor
    DunnRight Films
    DunnRight Video.com
    Video Marketing Toolbox.net

    Sony EX-1,
    Canon 5D Mark II
    Canon 7D
    Mac Pro Tower, Quad Core,
    with Final Cut Studio

    HP i7 Quad laptop
    Adobe CS-5 Production Suite

  • Brent Dunn

    December 5, 2011 at 7:25 pm in reply to: Super8 footage in HD timeline?

    They can upconvert your footage to HD. Just tell them the same format and frame rate and you’ll be good to go. There’s a company in California that does this, not sure who, but google it.

    Brent Dunn
    Owner / Director / Editor
    DunnRight Films
    DunnRight Video.com
    Video Marketing Toolbox.net

    Sony EX-1,
    Canon 5D Mark II
    Canon 7D
    Mac Pro Tower, Quad Core,
    with Final Cut Studio

    HP i7 Quad laptop
    Adobe CS-5 Production Suite

  • Wow, sounds like you’ve already got it figured out.

    First, 4:2:2 works well for keying.

    I have a sony EX-1. I love it. I am able to match it up with my 5D and 7D DSLR’s. Philip was a bit biased, it is great for run and gun. You can buy a shoulder mount support, there are many. I use a tripod or monopod if I’m moving a lot. (tripod with one leg out works great). You can also buy a SxS adaptor sold by Hoodman that will take SD cards, which allow you to use SD in the EX-1. I still would suggest having one 32 Gig SxS sony card. Even though they are expensive, they are like a rock.

    If I were to buy a camera now, it would be the Panasonic AF-100. I wouldn’t waste money on a DOF adaptor for any camera. This does it all and gives you the DSLR look with film camera technology. A great camera. I’m not worried about matching up cameras. Once you get used to your cameras, you can get used to setting them up properly. This takes spending time testing your cameras before shooting. Takes inexpensive media cards.

    Canon has their version of the AF100 coming out next year. Price range will probably be around $16,000 and it shoots in 4:2:2.

    EX-1 & AF 100 will shoot 4:2:2 with external recorder.

    Brent Dunn
    Owner / Director / Editor
    DunnRight Films
    DunnRight Video.com
    Video Marketing Toolbox.net

    Sony EX-1,
    Canon 5D Mark II
    Canon 7D
    Mac Pro Tower, Quad Core,
    with Final Cut Studio

    HP i7 Quad laptop
    Adobe CS-5 Production Suite

  • Brent Dunn

    December 5, 2011 at 7:09 pm in reply to: Best Cam for School Productions/Musicals/Events

    CS5 and now 5.5 will save you encoding time. The workflow is much smoother than earlier versions. You can just go from your timeline into Encore without encoding. Encoding happens within Encore.

    I’m in education, so I know how it is to scream and kick for a budget. I got tired of waiting, so I started writing grants. There is a lot of grant money out there just waiting for you. You just have to take the time to go get it. Of course after I stopped teaching the TV class and went into a computer course, the new person got a big budget with all new equipment, new iMac’s, etc. Of course, she was much prettier than me.

    Brent Dunn
    Owner / Director / Editor
    DunnRight Films
    DunnRight Video.com
    Video Marketing Toolbox.net

    Sony EX-1,
    Canon 5D Mark II
    Canon 7D
    Mac Pro Tower, Quad Core,
    with Final Cut Studio

    HP i7 Quad laptop
    Adobe CS-5 Production Suite

  • Brent Dunn

    December 5, 2011 at 7:04 pm in reply to: Best Cam for School Productions/Musicals/Events

    I always shoot in HD and then downconvert. Your final output will still look better in detail than if you started in SD.

    I have multiple deliver. I can deliver the HD in Vimeo for a download, SD on DVD, HD on BluRay. It always gives you options. If you only shoot in SD, then you can’t go up.

    Brent Dunn
    Owner / Director / Editor
    DunnRight Films
    DunnRight Video.com
    Video Marketing Toolbox.net

    Sony EX-1,
    Canon 5D Mark II
    Canon 7D
    Mac Pro Tower, Quad Core,
    with Final Cut Studio

    HP i7 Quad laptop
    Adobe CS-5 Production Suite

  • Brent Dunn

    December 5, 2011 at 5:02 pm in reply to: Looking to buy

    I think the 60D is a great first camera for a student. I would also buy her a $100 Zoom recorder & a $100 LED light from lcd4video.com. Of course she also will need a tripod.

    Brent Dunn
    Owner / Director / Editor
    DunnRight Films
    DunnRight Video.com
    Video Marketing Toolbox.net

    Sony EX-1,
    Canon 5D Mark II
    Canon 7D
    Mac Pro Tower, Quad Core,
    with Final Cut Studio

    HP i7 Quad laptop
    Adobe CS-5 Production Suite

  • Brent Dunn

    December 5, 2011 at 4:58 pm in reply to: Different cameras color match (5D, 60D and JVC)

    I mix a sony ex-1 with a 5D & 7D. I usually start with the 3 color corrector tool in final cut. Start with the white eyedropper and adjust, then mid, then crush, – 4 to -10 on average on the blacks.

    Usually the blacks on the 5D and other colors are more detailed. It’s hard to say exactly since your settings will vary. Next time, use a warming card to help match your JVC.

    Brent Dunn
    Owner / Director / Editor
    DunnRight Films
    DunnRight Video.com
    Video Marketing Toolbox.net

    Sony EX-1,
    Canon 5D Mark II
    Canon 7D
    Mac Pro Tower, Quad Core,
    with Final Cut Studio

    HP i7 Quad laptop
    Adobe CS-5 Production Suite

  • I would suggest going to a Tricaster System by Newtek. It will capture, title, switch, & stream all in one small box. We produce a live TV show streamed throughout a network in all the classrooms.

    They have an educational pricing for around $5,000. Worth the money if you can get them to pony up the cash.

    https://www.bhphotovideo.com/c/product/497900-REG/NewTek_TS002000_0101_Tricaster_Studio_Live_Production.html

    Brent Dunn
    Owner / Director / Editor
    DunnRight Films
    DunnRight Video.com
    Video Marketing Toolbox.net

    Sony EX-1,
    Canon 5D Mark II
    Canon 7D
    Mac Pro Tower, Quad Core,
    with Final Cut Studio

    HP i7 Quad laptop
    Adobe CS-5 Production Suite

  • Brent Dunn

    December 2, 2011 at 4:20 pm in reply to: Best Cam for School Productions/Musicals/Events

    I also work in a school, so I understand tight budgets. I can give you a bunch of choices, but I need to know exactly how much they are giving you.

    Here’s a canon for under $2,000
    https://www.bhphotovideo.com/c/product/749467-REG/Canon_4922B002_XA10_HD_Professional_Camcorder.html

    B&H video and Armato’s have used gear. I’d go with a camera that takes SD cards since they are cheap. If you film football or soccer games, you’ll need a good zoom, 12x or higher is preferred.

    DSLR is out of the question. You can’t film live performances and keep the focus with all the live action with a DSLR.

    Brent Dunn
    Owner / Director / Editor
    DunnRight Films
    DunnRight Video.com
    Video Marketing Toolbox.net

    Sony EX-1,
    Canon 5D Mark II
    Canon 7D
    Mac Pro Tower, Quad Core,
    with Final Cut Studio

    HP i7 Quad laptop
    Adobe CS-5 Production Suite

Page 28 of 80

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