Brendan Pyatt
Forum Replies Created
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Clicking on them and hitting backspace key (arrow to the right and vertical line)
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thanks! not the answer I wanted but its what i thought….
i will have a look at instant HD.
it seems criminal to crop the 16:9 clips to 4:3 and I really don’t like the idea of mixing 16:9 and padded 4:3 clips in the same sequence so it seems the only option I have to up-scale the 4:3 to 16:9….
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re-frame is fine – i didnt film the footage and its pretty chaotic anyway!
how drastic is a 138% up-scale on SD DV footage?
I take the best way to do this is on the fcp timeline? – then i can re-frame the footage…
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Thanks for the help guys.
I think I was looking for more (quality) than was there. Sometimes you get really engrossed in something and just want it to be perfect!
I feel confident that I am doing the right thing now.
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Checked the render settings and it was ticked but I unticked it and it didn’t need rendering.
In the sequence settings what should Field Dominance be set to?
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“Have you rendered the HD footage? HD in an SD timeline looks awful unless it has been fully rendered.” – Yes.
“Also – when you drop the HD footage into your SD timeline FCP automatically adds a “Shift Fields” filter to the HD clip.” – I noticed it has done this – does this effect the picture quality in anyway? I figured I should just leave this alone – thought FCP knows better than I do! -
Hi,
I am glad you agree that down sizing the HDV footage to SD is better than up sizing the SD footage to HDV.However I still cannot find a decent set of settings to down size HDV into SD.
Using the points you mentioned in your earlier post and using info on this page on the ‘bonsai’ method:
https://www.produxion.net/2008/04/08/hd-to-sd-conversion-the-holy-grail/I have results that are ok but still the dv footage looks much better than the down sized HDV footage.
I have tried Compressor, including using Frame Controls and whilst this produces nice looking results when viewed in QT when I import the file into FCP DV timeline it is poor.
I have been going round and round in circles with this for a few days now.
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Thanks. Maybe these setting helped a little but not perfect.
I am working with HDV and SD footage and it seems I can get better result by up-rezing the SD footage to HDV than down-rezing the HDV to SD! This just doesn’t make sense to me.
The final project is to be a SD DVD and I know the client will not be happy with how the HDV footage looks.
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Brendan Pyatt
April 24, 2009 at 7:52 pm in reply to: Mixing HDV & SD to make a SD DVD both PAL & NTSCmmm confused.
I just can’t get the 1440×1080 clips out of Compressor using Prores codec to be 16×9!
What ever i set in Geometry seems to have no effect. -
Brendan Pyatt
April 24, 2009 at 5:08 pm in reply to: Mixing HDV & SD to make a SD DVD both PAL & NTSCFrom different posts etc I believe I need to run the 1440×1080 clips through compressor.
So I guess my main issue is what should I set my timeline sequence settings to?
In FCP i can see:
Apple ProRes 422 NTSC 48 kHz
but also
DV NTSC 48 Anamorphic
but no Apple ProRes 422 NTSC 48 kHz Anamorphic…which what I think I need.Once I know what sequence settings to use I can then compress the 1440×1080 clips to the same settings..