Brad Froman
Forum Replies Created
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I have FCP 5 and I was given the ProRes Codec by a friend. I dragged it into my folder and am now able to both import ProRes file as well as export a ProRes file with no problems.
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I was afraid of that, Todd. I’ve used the Pro35 Adaptor many times, but never digi primes. I’ll be shooting in Kenya near the Serengeti and wanted to avoid the potential of the Pro35 Adaptor failing in the middle of nowhere, then have the PL mount primes sitting in a case useless. I hadn’t thought much about the fact that it’s not a failure of digi primes themselves…but the issue with the small chip size.
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I had misinterpreted your comment about the lack of 35mm-like depth-of-field. That’s a shame it’s not comparable. That is, for me anyway, what makes the primes so desirable. Would you say it’s significant difference?
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Yes, I have been thinking about that very workflow — P2 AVC-l to Final Cut.
What did you mean in the earlier post about those Canon Primes preventing a digital out to film? What are the issues?
Thanks for your feedback.
Brad
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Good to know the options. I appreciate your input.
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That’s good to hear. Wanted to get some more life out of my present system. I will take your advice. Thanks.
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Bingo. And it does seem to play nice with FCP 5!
Thank you!
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I will do. Thanks again!
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I stand corrected…you were right. Someone had switched the monitor input without my knowledge…so I wasn’t seeing the change you suggested.
Thank you so much! I’m back in business!
Gotta love the Cow and nice folks like you.
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External Video was “Off”, but I switched to “All Frames”…and still nothing. Audio is following video.