Bouncing Account needs new email address
Forum Replies Created
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Trash the FCP Preferences using “FCP Rescue.”
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What
Computer
Hard Drive
Version of FCP
Camcorder
Connection
etc
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[rafalaos] “you need to convert the impedance first. “
Impedance is not the issue.
Its LEVEL.Mic level is much lower than line, so you need a “direct box,” a mixer or a pre-amp to boost the level.
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[mark joseph] “My next jump is to use film”
Let me suggest that maybe your NEXT jump might not be to film.
There are a lot of steps between DV and film.Happy jumping!
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Speaking as a long-time user of FCP and Canon…
Let’s just say that the fault lies NOT in FCP.
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One method-
Deaden the “live” track (only use ONE of the “stereo” tracks, using both will be a disaster) as much as you can (noise gate might help.)
Then edit the whole program together.Then go back and add a bit of tight, clean reverb (if you have a good reverb filter or box) to the whole edited track.
If this doesn’t work, you might want the actor to re-voice, re-sync (ADR) the wider shots in the booth.
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[Tom Matthies] “But you get a better levels if you dupe the tracks :)”
“Better levels” may not be the best term, here.
“Increased levels” might be more precise.
(I’m sure that you meant “better” to mean “increased” in this case.)You DO get about a 3 to 6 dB increased level by cloning the clip on both channels, but that’s not always what you want to do.
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Also, if increased levels and a mono center is what you DO want, you can get the same effect by panning a single channel clip to center and increasing the level on that clip by approx. 3 to 6 dB.
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You can’t do this with FCP.
You can’t play six separate full-screen images at once.
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Why would you say producing a DVD is expensive?
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Click here-
https://www.geniusdv.com/weblog/archives/adjusting_audio_levels_final_cut_pro.php
Real through.