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I would not use the FCP titlers.

I would use the Boris Title3D or TitleCrawl (included with FCP since V.4)

BTW, you do not just look under the Filters tab to see IF there are filters there (if I understood your statement)…
but you must ADD the filters… and the Filters tab is where they can be adjusted.
If you mean filters found in the Video Filters folder, there is a Flicker Filter and a Deinterlace, and a Blur, and a…

The issue of flickering title rolls and crawls has been discussed in countless posts here.

Use the Search feature to find much more information.

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[Arjan] Should I avoid DVD based cameras for multi-camera shoots?”

I think you answered your own question, there.

[Arjan] I don’t have the camera itself nor have I tried putting the DVD in a DVD player and capturing it analog but since StreamClip is reporting timecode breaks I’m assuming that the problem is in the source DVD and not the conversion process”

That’s a major assumption in itself.

I’d certainly take a look at it coming from a DVD player.

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Go here:

https://www.kenstone.net/fcp_homepage/chroma_key_fcp_hd_monahan.html

to see the building of a clean chroma key.

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If you wish to zoom IN and retain high quality on the logo, you’ll want to use dimensions 2 to 4 times greater than 720×480.

You can use PICT or Photoshop files or any other file that retaiins alpha channels.

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[kim s] ”
I am beginning to think maybe I am having the trouble because I have a USB external hard drive and I think I need a Firewire hard drive. I have the setting set to put the captured video files on the USB external drive now.

Could this be it?
“

USB cannot sustain the continuous high-speed bit-streams needed in video capture and playback.

Yes, you need to go with a FireWire external connection for the drive and 7200rpm drive-speed.

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[Richard Harrington] “You can’t write video to a drive while ingesting it without using separate FW chains.

Sorry, but that’s simply not always a given.
There must be thousands of FCP systems that daisy-chain the DV camcorder through the external FW drive and capture to that drive.
I’ve done it myself when assisting in projects on other editor’s iBooks, etc.

In fact, over the past few years, there have been many posts on the COW about laptop systems ONLY being able to consistently capture with the DV source daisy-chained via the external.

And I’ve read many times over to never, ever trust a Dazzle unit for capture to FCP.
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Edit to say that I posted before reading Tom’s answer.

So, just “ditto” to what he said.

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[Peter Perry] “. In NYC”

Well, that explains a lot right there.

😉

(Its just a JOKE, big-guy!)

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[bogiesan] “AUDynamics is the correct answer.
Duplicating the track multiple times is s-o-o- yesterday.
“

And the dupe-clips make re-edits too much of a hassle.

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I would only work in native DV for the edit.

When finished, I would then use QuickTime (etc.) to reduce the full-sized edit down to the size needed for the web.

Can’t say that I’d ever want to systematically “squeeze UP” (over-size, past 100%) the full DV image.

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Just reading through this thread shocked me!