Bouncing Account needs new email address
Forum Replies Created
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Great Titles with the DV Codec
By Philip Hodgettshttps://www.creativecow.net/articles/hodgetts_philip/titles/index.html
Lots of basics there.
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[Faisal Haq] “I’m interested to know how devices in the studio (cameras,
broadcast-decks, monitors) all hook together”Routing Switcher here.
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Sony HDR-SR10 has a FW connection.
Won’t that work?
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Put a mask the right size on the video track above the image.
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[Joseph Moore] “If you do go that route, you really need some sort of headset-intercom system in order to direct the camera crew or you could find yourself at the board with nothing to cut to.
“I didn’t go into that because…
Since this is already a 4-cam shoot that was needing to go to DVD dupe within minutes of the conclusion of the show, what kind of coordination would the cameras have OTHERWISE?
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This is simply called “live TV production.”
It doesn’t require a computer.
Connect the 4 cameras to a video switcher, direct and switch the show live to a DVD burner and, afterward, dupe the DVD.
Any gear that you don’t have can be rented.
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Just set up a stack of DVD recorders and burn the DVDs in real-time during the service.
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Why don’t you capture the DVD’s directly from the Mac’s DVD player using DVD ripper software?
It eliminates the digital-to-analogue (and back) conversions.
MPEG SlipStream is very popular. Found at the following link>
There are others.
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Sounds like it could just be a LEVELS issue.
Volume level has a marked effect how audio “sounds,” quality-wise.
Make sure as you monitor FCP, that the levels (not the controls, but how loud it sounds in the room) are the same as from the other sources.
If there is still a difference, post again.
BTW, under the User Preferences (FCP pull-down menu)
How many Real-time Audio Mixing tracks are your pre-sets for?
Is the Audio Playback Quality set to “High?” -
How are you monitoring the audio from FCP?