Activity › Forums › Apple Final Cut Pro Legacy › problems maintaining widescreen during movement on still
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problems maintaining widescreen during movement on still
Posted by Zeb Millett on May 27, 2008 at 3:42 amI am able to zoom in on still images, but I can’t maintain my aspect ratio as the motion takes effect. The project I’m working on was shot 23.98, widescreen, on a canon xl-2, meaning my viewer and canvas ALWAYS have the black bars from my source material…
Any suggestions? Is there a mask I can create? Thank you.Rafael Amador replied 18 years, 3 months ago 3 Members · 7 Replies -
7 Replies
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May 27, 2008 at 3:59 amPut a mask the right size on the video track above the image.
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Zeb Millett
May 27, 2008 at 4:39 amThanks. I had never actually used or knew how to create a mask before. I think I got it.
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Rafael Amador
May 27, 2008 at 5:30 am[zeb millett] ” my viewer and canvas ALWAYS have the black bars from my source material… “
I don’t understand this. Can the XL records letter-boxed 16×9?
You shouldn’t be getting any black bar in the canvas, unless you are dropping a 16×9 clip in a 4×3 sequence. neither in the viewer unless the clip is letter-boxed.
So that is may question again: Can the XL2 records directly letter-boxed?
I’ve never worked with the XL2, but I never heard of this function. So please forgive my ignorance if my question is dumb.Mac OX 10.5.2-FC 6.02-QT 7.4.1
G5 2x2Gh 4GbRAM-BlackMagic Extreme
PMBP 17″Core2Duo 4GbRAM-AJA ioHD
JVC DTV-17″
SONY EX-1 . SONY PD170
..and always a big mess on top of the table. -
Zeb Millett
May 27, 2008 at 5:44 amI have to admit that this is how all of my projects have been in final cut while working with this camera. That being said, I knew nothing about FCP 3 years ago when I started this project, and have never even considered changing the aspect ratio of my project settings… So you bring up a good point. When I export my project, though, I’ve never had any sort of shrunken video as if it was formatted for 4:3.
And yes, XL-2 records widescreen without stretching. Beautiful image too; the only high quality camera I’ve used that truly looks filmic (especially in tight shots). Better than the Panasonic AG-HMC150 I just shot on, and much much cheaper. -
Rafael Amador
May 27, 2008 at 8:45 amZeb,
Right now I’m a bit lost because, as long as I can remember, FC3 do not supports Anamorphic. I think I can remember FC started support Anamorphic in v4 or FC 4.5HD.
I really don’t know how this can be affecting your edit. with FC supporting Anamorphic you wouldn’t have this issue of blac bars around. All Anamorphic.Mac OX 10.5.2-FC 6.02-QT 7.4.1
G5 2x2Gh 4GbRAM-BlackMagic Extreme
PMBP 17″Core2Duo 4GbRAM-AJA ioHD
JVC DTV-17″
SONY EX-1 . SONY PD170
..and always a big mess on top of the table. -
Rafael Amador
May 28, 2008 at 4:43 am[zeb millett] “I knew nothing about FCP 3 years ago”
Sorry I’ve read wrong. I understood you were with FC3.Mac OX 10.5.2-FC 6.02-QT 7.4.1
G5 2x2Gh 4GbRAM-BlackMagic Extreme
PMBP 17″Core2Duo 4GbRAM-AJA ioHD
JVC DTV-17″
SONY EX-1 . SONY PD170
..and always a big mess on top of the table.
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