Forum Replies Created

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  • Oh, I though you said three CHAPS, to play a ROUND with.

    Have them on the first tee by at 8:05am this Saturday.

    😉

  • Bouncing Account needs new email address

    April 24, 2006 at 8:51 pm in reply to: darkening corners

    [chemix] “Now if you wanted to adjust it on a clip by clip basis depending on overall luma…? will you still use this method?”

    If you create a new video track ABOVE your video, drop the “Slug” onto that track, then add your “matte” effect to the Slug (and “razor blade” it to the length of each clip below) you can adjust the opacity (therefor its “darkness”) of the upper track effect over each individual video clip.

  • Bouncing Account needs new email address

    April 24, 2006 at 8:18 pm in reply to: darkening corners

    Effects > Video Filters > Matte > Mask Shape > Oval (make it the right size)

    add the “Mask Feather” filter and adjust to taste.

  • Bouncing Account needs new email address

    April 24, 2006 at 1:46 pm in reply to: Gradient polarizer

    [edit] “If the sky is totally blown out, try keying it out and replace it with beautiful clouds or sea scapes.”

    What formerly was the province of only the Creator… is now possible for mere mortals using FCP.

    😉

  • Bouncing Account needs new email address

    April 24, 2006 at 12:58 pm in reply to: Gradient polarizer

    Not “polarizers” but graduated “neutral density” (or “color density”) lens filters.

    https://www.tiffen.com/results.html?search_type_no=365&tablename=filters&family=Tiffen+Filters&search_filter_format=Screw-In

    These are some examples. Google for more.

    As for in POST, you can create a soft-edge “half-screen” black or color and mix it with your raw footage on the timeline.
    Of course, if the sky was severly over-exposed on the SHOOT, you might not be able to “improve” it too much.

    These kind of exposure tricks are best done during the shoot.

  • [Allen Zagel] “Someone else at the Vegas forum suggested I try to get a sample of the echo and use Sony’s noise reduction.”

    Sampling an “echo” for reduction will not work.
    That kind of “sampling and removal” is for continuous noise like a constant hum or hiss.

    The echo/reverb is an analog of the audio that you DO want… constantly changing as the talent speaks.

  • Yes.
    In FCP Log & Capture change the device control preset to “Non-Contollable Device”, then just hit “Capture Now” when you’re ready.

    (You might also want to change the “Limit Capture Now” so that it won’t automatically stop after x number of minutes.)

    Be sure to TEST this, as some systems are not too reliable under these conditions.

    ALTERNATIVE:
    Borrow or buy another inexpensive camcorder, connect via FW and record on the TAPE in the 2nd camcorder.

  • Bouncing Account needs new email address

    April 23, 2006 at 1:54 pm in reply to: Ugly aliased text

    Also, you must only judge QUALITY on an external video monitor (never the computer monitor), and only after rendering at the highest quality setting.

  • Bouncing Account needs new email address

    April 22, 2006 at 12:58 am in reply to: Ugly aliased text

    You should generally avoid using the native FCP title generators.

    Instead, use “Title 3D” that is one of the other choices in your Generators menu.

  • Bouncing Account needs new email address

    April 21, 2006 at 9:26 pm in reply to: replace inconsistent?

    [Bob Flood] “”insufficient content for edit”

    adn waht does that really mean? does the systme think the quality of the performance is not good enough, thereby rendering a decree of insufficient content?”

    No, “insufficient content” does not mean FCP thinks you have “lousy footage”.
    …That’s up to your CLIENTS 😉

    It means there’s not enough frames to fill the space, staring at the chosen in-point to the end of the clip.

    Replace is a “unique” function.
    It takes its in-points (MATCH-points) from where you last placed the cursors on the clip and the timeline.

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