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  • Bill Nahlik

    October 16, 2008 at 1:27 pm in reply to: XDCAM HD Proxies

    Thanks, Simmie,

    The drives are in Baltimore, I am in St. Louis. We are trying to edit a segment of a larger project here locally without taking the drives away from the other editors.

    I’ll try the newer version, if not for this project, then for the next.

  • Duplicate the layer, select the duplicated layer in the timeline and the new layer in the project window. Alt-drag the new layer to the composition window. It will retain all of the parameters of the layer it is replacing, including time i.e. if the layer you replace starts at frame 100, the new layer will pick up at frame 100 also.

  • Bill Nahlik

    January 24, 2006 at 6:03 pm in reply to: photomosaic images in video

    I’ve done a couple of these in After Effects.

    For a how-to, go to https://www.ayatoweb.com/ae_tips_e/ae50_e.html

    Ayatoweb has great tutorials!

  • Bill Nahlik

    August 24, 2005 at 1:56 pm in reply to: Eliminating buzz on electrolarynx recording

    Thanks for your response.

    I ended up not changing the sound at all. We open captioned the interview subject so the viewer could understand what he was saying.

  • Bill Nahlik

    August 24, 2005 at 1:55 pm in reply to: Buzz from electrolarynx

    Thanks for all of your responses.

    I ended up not changing the sound at all. We open captioned the interview subject so the viewer could understand what he was saying.

  • Alt + drag on a PC

  • Bill Nahlik

    June 9, 2005 at 8:28 pm in reply to: DVCPRO 50 or Digital Betacam Deck?

    Warren,

    I, too, used to do the CMN telethon. One of the best!!

    Digibeta is a great mastering format and a DVW-A500 will play back Betacam and Beta SP tapes (a DVW-500 will not). Look for the Analog/Digital print below the tape door. Neither model will record to Beta SP. You can shoot on D-Beta as well, but either DVC or D-Beta will give you great pictures.

    As far as editing on a DVCPro, the trajectories (speed) of the cue buttons on a DVCPro deck are much different from any other braodcast-quality tape source. It will take a lot of getting used to. It is also difficult to scrub audio for accurate audio edits (using a CMX).

    Hope this helps.

  • Filip’s solution is better, but if the alpha layer is not availalbe in Photoshop, you could key it within AE by clicking on the layer and going to Effect>Keying>Luma Key. Set the key type to Key out brighter and adjust the threshold all the way up to 254. You can then adjust tolerance and feather to your liking.

  • Bill Nahlik

    April 14, 2005 at 3:01 pm in reply to: Blue channel disappears in Comp window

    I clicked through the individual channels on the comp window. Red and green showed image, blue and alpha showed a blank white screen.

    I converted the movie with the Quicktime Player Pro and it is working now.

    Thanks for your help.

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