[Ben Lithman]

thanks, but that’s really not relevant for this issue.

[Ben Lithman]

Are you seriously saying I don’t know the difference between iMovie and FCPX?

see attached.

Screen-Recording-2020-12-16-at-10.17.08-MPEG-4.mp4 13 MB MPEG-4 - Click to view

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[Ben Lithman]

Joe, thanks so much for such a detailed and helpful reply. I’m very grateful!

[Ben Lithman]

Ok thanks… how do I do that and change settings if needed. I essentially just download my surf from 3PlayMedia

[Ben Lithman]

Crash reports have been submitted to Apple. I think its down to them to solve it from here… ????

[Ben Lithman]

So just to confirm. You have assigned a key in keyboard customisation? I set the ‘s’ Key to be “send to compressor”.

Open project and press the assigned button. Instant crash. Tested on 2 machines 100% replicatable.

[Ben Lithman]

Thanks for confirming. Will report

[Ben Lithman]

Footage shot in Log has a much greater dynamic range than something shot in non Log. The only way to work with log footage is in a wide colour gamut space.

Why is it wrong to want to shoot and edit in something that has a much greater dynamic range, where highlights that would have been completely blown in something shot in a rec709 colour space, salvage those blown out highlights, then deliver in to Rec 709???

[Ben Lithman]

Thanks Andreas, Same thing happens with ITTs

[Ben Lithman]

I can’t say either the stabilisation or rolling shutter settings are making much difference. The “tripod mode” option is also greyed out…
Have rendered, of course.