Arturo Glass
Forum Replies Created
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Thanks. Thought this just hid them from view, didn’t think it would hide them from bring re-analyzed as well.
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It’s strange because the video plays back on my monitor, delayed, which makes me think it is being converted but for some reason not writing to disk. I’ve tried changing my scratch disk to a local disk but no luck either.
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Tried that already and still the same results.
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As you can see in my previous posts, I don’t want to import everything at full res. I’m trying to find a workable way to import everything in a basic SD res, do my edit then go back and do an online. My concern is:
How can I make my SD footage and timeline all run at 24 fps? (because when I go back and do my online, I’ll need frame accuracy in order to trying do a proper online, rather than an eye-match)
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Then what purpose does the Apple Intermediate Codec serve? My understanding is using it in conjunction with Cinema Tools was the only way to go to a 24p timeline while shooting with the V1U.
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So what is my best codec option then, given the current options, which will give me HDV quality (and be around 12GB/hour of footage)?
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I was going to AIC because in other forums they recommend to go to AIC then reverse telecine with Cinema Tools to edit in a 24p timeline. The final product is going to be printed to 35mm film, as well as DVD (NTSC & PAL) and Blu-Ray.
Is importing directly using 1080i60 going to give me the same quality/look as working in a 24p timeline (via he AIC import option)?
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Is there another codec I can use to keep the HDV footage at the same quality (1080p24) while retaining the original timecode references?
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I have a 2 Terrabyte hard drive, and am planning on having around 150 hours of footage. I’ve captures 2 hours thusfar with the Apple Intermediate Codec and those 2 hours alone are taking up 86 GB!
It’s all footage shot at 1080p24 with a Sony V1U, imported using the Apple Intermediate Codec, then going to backwards telecine to 23.98 because the AIC imports at 1080i60.
If you have any suggestions on importing in HDV @ 24p, keeping it to 13GB per hour but retaining the quality, I would greatly appreciate it.
Also, if there is any way of keeping the original timecode tied to the footage that would be great. Or to do that is my only option importing and editing in SD then doing an HDV online?
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If I’m ultimately shooting for DVD release, that is 1080i won’t make a difference, am I better of importing the footage in at SD ? In doing this, will I be able to import to Final Cut without any problems?