Angelo Mike
Forum Replies Created
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That effect was partly done by shaking the camera and partly with computer generated effects, such as the sprockets of the film showing up on screen. If you’re just using Vegas, I would think a combination of shaking the camera and using “jitter” in “Film Effects” would be a low budget version of what Fincher did in Fight Club.
http://www.scenethroughglass.com
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I think I just figured it out. What frame rate are you rendering to?
For me, I have to render to 30 fps. So I right clicked the 24 fps footage, went to Properties, and clicked, “Disable resample” to avoid ghosting of frames, and that was it. My project properties were set to 30 fps interlaced, and I rendered to 30 fps progressive (by the way, for anyone who would know, I’m making a video for broadcast with this footage, and Comcast’s spec sheet says nothing about making the footage interlaced-am I safe in sending the mpeg file in progressive scan?).
http://www.scenethroughglass.com
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I was about to post a thread like this, because I have 30 fps and 24 fps footage that needs to be rendered for broadcast. I’m going to get the specs soon on what settings they need to be, but I’ll probably need to get it all at 30 fps and never figured out how to render 24 fps for that without getting awful pulldown artifacts and ghosting.
http://www.scenethroughglass.com
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Keep going through tutorials on color correction, color curves, and compositing. There’s a lot of information on the subjects. Keep practicing.
http://www.scenethroughglass.com
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Here’s a basic tutorial.
https://www.youtube.com/watch?v=m4qVXf2t5pE
But just try it out on footage and see what works.
http://www.scenethroughglass.com
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Well, you’re asking a question that needs to be narrowed down. What’s the problem with your footage exactly? What doesn’t look good, and what are you shooting and editing settings? Maybe you just need to do some adjustment on the color curves, color correction, and saturation. I noticed that my videos looked way better after I learned how to use these, and I’m still learning how to make them work best for each video. I had no idea what I was missing before that.
http://www.scenethroughglass.com
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Let me guess-you get a lot of digital noise (visual grain) on screen? That’s a problem with most cameras unless you spend a lot of money on one that can deal with low light without trying to boost the gain.
http://www.scenethroughglass.com
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Wait, did you use Studio RGB to Computer RGB? Because it should be the other way around-Computer to Studio. See if that makes a difference.
http://www.scenethroughglass.com
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It’s one of the presets under Color Corrector. I don’t have much experience with it (though I probably will get a lot soon), but as I understand it, it (mostly) shifts your colors into a broadcast safe range.
Here’s some more information which is useful about color saturation and luminance in making video for DVD or tv.
https://www.glennchan.info/articles/vegas/color-correction/tutorial.htm
https://www.sundancemediagroup.com/articles/glennchan/levels_in_sony_vegas_part_one.htm
http://www.scenethroughglass.com
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I’ve had a problem of over saturated and over exposed video on DVD, and I think the problem is that you have to use the Computer RGB to Studio RGB option.
http://www.scenethroughglass.com