Angelo Mike
Forum Replies Created
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Thanks. Here’s the video.
https://www.youtube.com/watch?v=Yjtm_Y1h2eI
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I’m just saying, in general-and this is an open invitation to any filmmaker out there or philanthropist-if you’ve got more time and equipment than what you know to do with, I can always find a use for it.
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Roger, if you’ve ever got extra time with that quadcopter and are not sure what to do with it, I can help you out.
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Weird. I have build 701. Oh well.
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It definitely sounds demanding, but they leave so much open to the filmmaker who I don’t think could know ahead of time, unless they’ve filmed on this subject in these countries before, how long he should take. They say it’s up to the filmmaker to decide if they want to budget for 3 days of filming or up to 30. How can I possibly know that ahead of time without being irresponsible? I wouldn’t know what length of stay in each country to pick other than some mid level number to ensure I get a lot of footage.
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How did I not know this about YouTube? In all the tutorials of rendering video for YouTube I’ve never seen anything mention Studio RGB levels.
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I’m about 300 miles from the closest shoot (the one in WV), but I’ve traveled further for shoots.
If you think that’s workable for the project, let me know.
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Weird, I don’t think I’ve ever encountered this problem. I didn’t know that YouTube displays things in Studio RGB, but I never set my levels for that when I render to Sony AVC or Mpeg’s AVC templates.
Would I not notice this because I shoot usually on camcorders and lower to mid level DSLRs, which don’t have the same dynamic range as the BMPC?
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Did you do it with the eye dropper next to “Select Effect Range”? There are other eye droppers, and if you use them they will do exactly what you said.
Also, in your plugin chain at the top, make sure the Secondary Color Corrector comes before the Chroma Keyer.
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Notice what Joao said-he said that he’s increasing the saturation in the shot, which is making all the colors worse.
That’s part of the problem. If you have even shades of green in other parts of the shot than the green screen, you’re going to bring those out, because you’re saturating everything. It sounds like you might be using one of the color wheels as well to make everything tinted green, which won’t work.
There’s a tool in Color Corrector or Secondary Color Corrector to let you pick a color with the mouse pointer directly from the image you have on your timeline. Select the eye dropper tool next to “Select effect range”, click directly on the green screen in the preview window, and then you can adjust things like saturation, gamma, etc.