Angelo Lorenzo
Forum Replies Created
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What scripts have you tried? Seems as simple to me as adding an offset like HH+24 once you get past 24 hours.
It’s be nice to see what you’re working with. I don’t have any pre-made scrips for that offhand.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
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Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
Look into a SoundCloud account or just create a video with some kind of title card and upload it with your audio to YouTube.
You could have the mp3s uploaded to your site and then use https://www.longtailvideo.com/jw-player/ to play them.
You don’t need home network/active internet radio style streaming, at least if I’m understanding your question correctly.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
To address a few of your facts on the scarlet:
1. The Dragon sensor upgrade will be Epic only, rumor is RED will have a trade in program for Scarlet owners.
2. The Dragon sensor is testing right now at 20 stops.
3. Fan noise is variable. The cameras are usually set up for auto speed or high speed fan and that will automatically turn off once the record button is hit. I think, because the body of the Scarlet is mostly plastic, that it’s not as good as the Epic when it comes to heat dissipation.
4. Lens mounts are easy to change with a standard allan key set. Four screws.
5. From what I recall, the Scarlet uses the same sensor as the Epic but with reduced computing power in the brain. This is why the Scarlet has more limited frame rates and sizes than the Epic, but the DR and other specs should be the same (even if I don’t recall them off hand).
6. Post production is more intensive and, initially, more expensive. The C300 produces broadcast workflow standard files so if you or your editor is use to stuff like P2 or AVCHD then you’ll be at home with Canon.
The other questions are more Scarlet everyday user or for those who have used the C300 extensively. I only use the Epic on a regular basis.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
https://www.teledynedalsa.com/imaging/knowledge-center/appnotes/ccd-vs-cmos/ may be an enlightening read for you. Dalsa’s founder actually helped develop both technologies and this is a very in-depth article. I think you’ll find the reasoning for the choices come down to both economical and engineering reasons beyond rolling shutter.
From another Dalsa paper comes the quote “Cost is often more strongly influenced by the business economics… rather than the choice of technology itself.”
Another thing to point to is that CMOS may have superior Signal-To-Noise ratios than larger CCD sensors (thanks in part to their on-chip noise reduction)
https://hdtv.videotechnology.com/HDTV-CMOSvsCCD.htm——————–
Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
Oddly, you may find this page from Apple Color very helpful.
https://documentation.apple.com/en/color/usermanual/index.html#chapter=17%26section=7%26tasks=true
Sadly, since DPX is an import/export format, Adobe usually skips specifics on things like these rather than addressing it in a whitepaper like an end-to-end workflow or something.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
College of DuPage
https://codphoto.wordpress.com/2010/02/21/color-spaces/https://www.luminous-landscape.com/tutorials/prophoto-rgb.shtml
Basically, ProPhoto is a better match as a working gamut for modern cameras. It’s an intermediate working space for heavy retouching. You’ll drop down to Adobe 1998 (most print workflows) or sRGB (web/monitor display)
Adobe 1998 was developed by Adobe as a way of showing a gamut of color printers of capable of reproducing with some tradeoffs to still be displayed on a computer monitor.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
Try breaking it apart. The other thing to consider is that it’s a semi-transparent layer over another shape…. that’s all I got.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
Most likely. It’s probably oversharpening after it blends the two fields into a progressive frame. Or, it may be losing resolution by filling in the empty lines and sharpening.
To address your other issue: DV is weird in that it encodes PAL as lower field first. It’s part of the DV spec.
https://www.motionelements.com/blog/workflow/video-field-order-reference-list
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
Is your project color managed? I feel like the Illustrator file came in as CMYK and the eyedropper isn’t compensating.
That would be my educated guess.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks -
This seems to be directly the opposite, but perhaps you can use some of the script to help you craft your own https://www.redefinery.com/ae/view.php?item=rd_QueEsSpanNull
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks