Andy Morin
Forum Replies Created
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looks great! Especially enjoy the lighting of the final scene
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I’ve tried it both selected and deselected. The whole thing seems buggy bc even just initially sampling a color it does something completely random on the spectrum
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So i can send the newly compressed h.264 files back into FCP and send to compressor again? What settings would be o.k to use the second time without recompressing and keeping the quality?
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Thanks for the advice everybody. My original intent was to use local artists and the communication started to become a little fuzzy with the guy i was going to work with. I would only resort to online samples in case of an emergency. Thanks again for the advice with both Q’s!
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So my FCP was buried in a secondary folder within applications, just brought it to the top and the update came up. Thanks for the helping!
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Hey Don just read your post. Thank you
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Ok, So i’m new to anything with audio. What exactly is a pad. Like example model. Is it some physical or a technique you use with the settings?
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Awesome thanks for your help guys!
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Hey Dave, It’s a Sennheiser ME-66, possible sound board hookup. I’ve been reading a lot about trimming levels but not quite clear and what to do there. I’ve pretty much got a situation where I’m front and center of the stage and the amps are right there. Is it possible without a pad to capture this successfully?
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This is for the web and i was just viewing it on my mac monitor, so that might have been the error. So just de-interlacing should be fine then? If it’s for web only, should i even shoot in 60i or would i be better off on another setting?