Andrew Kramer
Forum Replies Created
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25 FPS would be best, what you can do is put your sequence into a 25 fps comp and then turn on “high quality” frame blending with “pixel motion” on and then time stretch the layer 200 percent that way it is the same speed as your original animation but should be much smoother.
Good Luck
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What is the end medium for this bird? Are you constrained to 16 FPS? There are ways to smooth out motion, but not if you are only working with 16fps…
Andrew Kramer
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If you hold down shift when creating filled-vector lines it will add the shape to the same layer.
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Your going to want to set up an Batch.
There is a video tutorial I created for after effects that should help, It resizes them indefinetly but you can just as easily change the action to be one that just resamples it from the image size window. Also depending on your needs you may want to play with the post operation in the batch setting dialog.Remember to back up your files,
Good Luck,
Andrew Kramer -
Good old Nab!
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The New CR2’s like the canon 30D raws wont go. Adobe has a new raw viewer for PS but it doesn’t work in AE. They should update it but I don’t think they know about it.
Andrew
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Thanks. Very Cool. I didn’t even notice. *screenshot*
Andrew
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Very Cool! Thanks for your help guys.
Brian, very Ambitious, but as you probably guessed I need to have it work from every axis, although I think I have learned how to arrange an “if” scenario.
Dan your script is like candy. I’ve printed it up and am going to enjoy it tonight after dinner. Beautiful.Thanks again buys,
Andrew -
Your going to want to precompose the target into a comp that “leaves all attribute in currect comp” Then in the New comp reverse distort the image so that in the final comp it appears correctly.
The Perspective corner pin tracker is directly linked to the corner pin effect and it only will put the four corners of a layer into the tracked points designated in the tracker controls.
However… If you are really savvy, you can position the tracker search and interest squares into the corners of the card and then move the tracker point (the little “t”) to where it appears the target video will need to reach. here is an example, http://www.videocopilot.net/target.jpg
But if you miscalculate you wil be re-tracking the shot whereas the precompose allows you to make subtle changes as necessary.
Good Luck,
Andrew Kramer