Alex Udell
1
Premiere Pro Coin
Forum Replies Created
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you are looking at source media to destination sequence patching.
Left side represents the tracks available in whatever source is in your source viewer. enabling or disabling those means that when an edit (insert/overwrite) is performed, only those trax of material from source will be edited to the timeline
Right side represents tracks available in the sequence.
enabling and disabling those determines how those tracks will be effected by the insert or overwrite edit you are about to do.so if you have material on multiple tracks in the sequence, and you do an insert edit with only some of the destination tracks highlighted…then only those tracks will ripple when the edit is performed.
same is true for overwrite – if not all sequence tracks hilighted…then only the tracks hilighted will be overwritten.
where there is no corresponding source to destination “patch” black is overwritten or inserted.
Alex Udell
Editing, Motion Graphics, and Visual FX -
As a video pro by trade….I’m now also using Dreamweaver for PHP development….I’d never EVER have spent money on that under the old model…now it’s just there…for me to try….and to learn…and frankly…to get paid…
Alex Udell
Editing, Motion Graphics, and Visual FX -
Have a look at how PPro is interpreting your source audio channels (in the project panel) prior to using the media in the sequence.
It’s possible to override PPro’s default interpretation…
and set it to the way you’d like to behave
see:
Clip>Modify>audio channels
hope that helps….
Alex Udell
Editing, Motion Graphics, and Visual FX -
As someone coming out….it certainly can’t hurt to be versed in 3 major NLE’s.
Be prepared to start as an intern…for little or no pay.
and to do a lot of repetitive grunt work as in importing and prepping material…and output and mastering material. You’ll be using NLE’s…but not “editing”.
But stick around after hours. Try stuff…Show initiative…
eventually you’ll start assisting in the offline…
everything you consider a progression in your capability….keep it around and add it to your reel.
keep networking…and showing ppl what you can do….
don’t sign non-compete agreements, or evaluate them very carefully. 🙂
Alex
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nope…
Alex Udell
Editing, Motion Graphics, and Visual FX -
In the Project Panel or in the timeline?
Alex Udell
Editing, Motion Graphics, and Visual FX -
Have you ever considered just making Bridge Collections of those files?
that way, the files can stay in place but you can group them together however you want….and then drag and drop from the collection directly into Pr?
Alex Udell
Editing, Motion Graphics, and Visual FX -
Not that you should HAVE to do this…
but IN a clean project if you import the sequence (via the browser I think)…
you can get all the dependent sequences too AND it’s not destructive to the originals….so you can work around it…
Alex Udell
Editing, Motion Graphics, and Visual FX -
not technical note here…
One thing that has changed in the age of tapeless…
during the ingest phase is that…
when things were on tape…you used to see (or someone did) the material as it was coming in.
so there was a real familiarity with the source.
In some cases the fist pass culling done during this process meaning, you simply wouldn’t digitize from tape what you would not use.
now usually you end up material that you really have to get familiar with from 1st look inside the project.
Alex Udell
Editing, Motion Graphics, and Visual FX -
Love this!
great tip….Alex Udell
Editing, Motion Graphics, and Visual FX