Alex Udell
1
Premiere Pro Coin
Forum Replies Created
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Some codecs are smart…
flavors of quicktime (prores)
and XDCAM…
where you can use the files for faster export.
So yes it can be beneficial to do that….
hth,
Alex Udell
Editing, Motion Graphics, and Visual FX -
Hi Dennis…
isn’t factoring the number of cores present in the CPU also a contributing factor?
Alex
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just copy and paste the clip from Pro into you AE comp
then turn it off or delete it when you are done.
Alex Udell
Editing, Motion Graphics, and Visual FX -
Where are you making the text?
if you make it in the title tool, then yes….
or you can open .mov’s in photoshop…
or you can sample the color in AE
Alex Udell
Editing, Motion Graphics, and Visual FX -
Avid workgroup tech is good. it’s timeline editorial is also very good. Avid’s not my choice for any layers oriented work.
with the cloud…where you’d get photoshop and ae…which you’d need…Premiere will just be there…to use or not…so avid is actually an “extra” cost. even if the rest of the facility goes avid…you’d technically still be able to use PPro for commercial work anyway. I can’t imagine that much of your commercial work (save work for sweeps and promos, if that’s your responsibility) would need collateral elements from news)…
Now that Adobe has a facility based Anywhere configuration, I’d look at that carefully before considering the Avid pitch. It may be much more cost competitive now.
Alex Udell
Editing, Motion Graphics, and Visual FX -
Another thought occurred to me…
if you could set up a naming convention for the source files…
you can then make the soucre material in PPro offline and then relink to the new media in a different folder but with the same file names…multi-relink is certainly doable in PPro.
it might be useful to patch rename the previous source files as _off to make sure they don’t inadvertently get reconnected…
but I bet there are any number of ways you could handle the automation of source file naming..
another hint is that I’d keep the source file folder flat…don’t use subfolders within that folder….just pile all the source clips in one directory to make it easy for PPro to discover…
hth,
Alex Udell
Editing, Motion Graphics, and Visual FX -
Well…
the initial set up would be tedious…
but if you did do the movie clips AE comps
then used the dynamic linked comps as your video clips in PPro sequences…
then you could use
comps from spreadsheets to update your AE project…
and the changes would ripple thru Ppro
https://aescripts.com/compsfromspreadsheet/
Alex Udell
Editing, Motion Graphics, and Visual FX -
you can always bring your video cuts in as nested sequences on your timeline and stack em….
or just mute/unmute what you want to see played against the audio.
Alex Udell
Editing, Motion Graphics, and Visual FX -
Scott…
wait…
project panel menu > metadata display >
search path
enable it
move column to a more convenient view position…
now you can rename the main filed without worrying about not remembering the original file name…does that help?
so the copying may not be necessary.
Alex Udell
Editing, Motion Graphics, and Visual FX -
Hi
duplicate the sequence and delete/replace the content…
the mix is attached to the track, not the clip…
Alex Udell
Editing, Motion Graphics, and Visual FX