Alex Udell
1
Premiere Pro Coin
Forum Replies Created
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ok….
in cs6…
you will have to use the Timecode video effect, per clip…
so set it up on one clip….then copy paste attributes to other clips in the timeline….you MAY want to duplicate the sequence as a “window burn master” prior to adding the effect and exporting just to make it easier to manage the fx…
not also that you can can also add the fx to a tranparent video layer that runs the length of the seq…so you could display seq tc ans well as source (clip) tc in the burn so whn your client requests changes he can refer to the clip at the run time in the seq as well as the source tc to look for alt takes, etc….
see below:
“View timecode as a burn-in
You can display clip timecode within the video preview of the clip by applying the Timecode effect to that clip. You can display timecode within the video preview of any part of a sequence by applying the Timecode effect to a transparent video clip. then trim the transparent video clip for the period when you want the timecode visible. Onscreen timecode is commonly referred to as burn-in timecode. It is used in rough edits and proofs to give frame-accurate reference points to editors and their collaborators.
View clip timecode as a burn-in
In the Effects panel, click the triangle next to the Video Effects bin to open it. Then, click the triangle next to the Video bin to open it.
Drag the Timecode effect and drop it onto a clip in a sequence.
Click the Effect Controls panel to make the panel active.
Click the triangle next to Timecode to expose the options for this effect.
Adjust the options as needed.”Alex Udell
Editing, Motion Graphics, and Visual FX -
I assume this was coming from the Avid community.
Off the top of my head:
This, historically, has been in the info panel in PPro and not directly available as a burn in on the program panel.
Ok for you as the editor, not great if you’re working with a producer who wants to track this during a session…
you could use the timecode fx filters on a clip by clip basis to set this up….but that’s not really practical during the course of the edit.
It MAY be the case that this is addressed in the new IBC feature releases of PPro CC…
take a look a this:
“A host of new editing features are included in this release designed to speed up the creative process. The new Monitor Overlays feature allows for critical information to be superimposed in both Source and Program Monitors. Designed to be flexible and customizable, editors can select which metadata is displayed and where, so important information such as clip timecode, edit point indicators and marker comments can be seen at a glance and in context. ”
https://blogs.adobe.com/premierepro/2013/09/adobe-premiere-pro-cc-october-2013-release.html
go get ’em Jan!
Alex Udell
Editing, Motion Graphics, and Visual FX -
Also looks like the Prelude update will fit right in!
“Export clips, subclips and rough cuts — Send clips, sub-clips, and rough cuts directly from the Prelude CC project panel to Adobe Media Encoder CC for quick and efficient export of your logged assets.”
https://blogs.adobe.com/premierepro/2013/09/adobe-media-encoder-cc-october-2013-release.html
Alex Udell
Editing, Motion Graphics, and Visual FX -
Hey Kevin…
looks like the new update to Adobe Media encode may be right for you:
https://blogs.adobe.com/premierepro/2013/09/adobe-media-encoder-cc-october-2013-release.html
Automated Image Processing – With the addition of GPU acceleration, Adobe Media Encoder CC helps you create customized output of media including watermarks and TimeCode overlays as well as image processing, such as Lumetri Look or LUTs. You can pick from presets that ship with Adobe Media Encoder or pick from ones you have created yourself.
Alex Udell
Editing, Motion Graphics, and Visual FX -
Thanks Ann!
Alex Udell
Editing, Motion Graphics, and Visual FX -
Not sure IL is natively supported in PPro….
so you’d probably have to 2 step it thru PS anyway…
unless there was a specific look you were trying to achieve….not sure of the point…
Alex Udell
Editing, Motion Graphics, and Visual FX -
remember….not separate PSD’s…
one psd with diff names on each layer….
then you can multi-select the layers for the change…
🙂
Alex
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I wish there was….
but I think it’s a one by one scenario.in the future….
you might consider doing this type of thing as a layered Photoshop doc.
PPro plays well with PSD’s…
and it’s easy to select multiple layers of the source PSD file and change the font….resave….and it’s done….
🙁 sorry….
Alex Udell
Editing, Motion Graphics, and Visual FX -
yeah that was a simple permissions issue.
thank Joseph!
Alex Udell
Editing, Motion Graphics, and Visual FX -
Ahhh…
but mp4 does not appear to allow embedded metadata.
read some articles on f4v by adobe which would hold an mpeg4 stream…but I’m betting would allow for metadata embedding…
hmmm
Alex Udell
Editing, Motion Graphics, and Visual FX