Alan Lloyd
Forum Replies Created
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What’s the closest preset to it you have in AME?
Can you load that and modify it to what you need?
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Sounds to me like a good opportunity for an A/B test.
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Set up your export queue, hit “go” when you’re calling it a night. Media Encoder will sit there waiting until you tell it to start.
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I don’t really claim to be an expert, though I do use PPro, and have for years.
Look for me on FB if you like. I’m there, this is my name.
I live in MN if that helps with the sorting.
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Editing programs offer the ability to export a still frame in a variety of file formats..
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If you play the clip in isolation, is that audio there?
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Is having someone else operate the camera not an option?
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A good balance between luminance and saturation, as noted above.
I try to keep the green at about 50 IRE, and nice and even as you’d mentioned.
If you’re doing head-to-toe you’ll need to light for it, yes.
And noise is the enemy of a good key.
Beyond that, Chris’s comments on specifics are useful.
Also, shooting at a decent bitrate and 4.2.2 color sampling are useful. AVCHD can be…interesting in a greenscreen setting.
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You hadn’t mentioned that you were told this after the fact.
That said, the best way to do this would be to reshoot with the camera oriented 90 degrees off-axis, so the framing is correct. If you can make that case to your client, by all means do.
If they’re not receptive, hopefully they get a nice editing bill.
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Your adjustment layer is also working on the “white” in the transition.
It’s doing what it’s supposed to do, which apparently is not what you want it to do.
Jon’s advice is correct.