Agent2a03
Forum Replies Created
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I have an x2 4400 and similar specs in my workstation and I work with 1920×1080 uncompressed footage all day… most of my source footage is 3072×2048… The preview delays you describe are normal for me as well, and I dont think I have ever been able to scrub non-cached 1080 comps…. I don’t think its a matter of codecs, it just takes a lot of power to push around so many pixels… An 8 processor Opteron system with 16gb of Ram will certainly be much quicker but it will also drain your wallet very quickly… I just got used to the delays… I do most RAM previews at one half or one quarter res with the preview window matching the res percentage…. Its not so bad once you get used to it…
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With problematic renders I sometimes need to set the secret prefs to purge every 1 frame… All my material is in 1920×1080 as well… And sometimes I’ve found some frames just seem to be cursed so I just render around them or try to isolate the prblematic plugin or layer.
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I”In PPro 2.0, is there a way to make offline versions of HD clips after capturing, or after importing the HD files into a project?”
I would like to know the answer to this as well…. Does anybody know? Final Cut Pro has been able to do the offline/uprez/reconnect media trick for awhile… I hope this new premiere pro can do the same…
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“the ability to simply do a recapture based on a Sequence allowing users to “Uprez” their footage quickly and easily”
So can Premiere Pro 2.0 do this now? I know it wasn’t possible with 1.5 but I’m hoping 2.0 can do it…. Also does anyone know where I can find screenshots or more info on the new Media Manager? I can’t seem to find much….Thanks
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Heres an idea but it requires adobe premiere pro… Export an edl from FCP… move the media over to the PC…open the EDL then save the project as a premiere project and open it in After Effects…when you go PRemiere Pro 1.5 to AE everything comes over…its great…
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Thanks for the quick reply… Hmmm…. so there is no way it is possible? How about exporting an edl or aaf file from the low res project then creating a new full res project and importing the edl or aaf? Would that work? I dont know I’m just desperate because I’m a milimeter from the perfect workflow… I dont want to leave Premiere because of its great integration with AE… but if I don’t I’ll have to buy a high speed disk array to edit the uncompressed footage….