[Adam Mcclelland]

Did you ever find a solution to this?

[Adam Mcclelland]

Jeff, thank you for the help. It seems to be working correctly now.

[Adam Mcclelland]

Thanks for the responses.

@ Marc – All the media had been conformed to DNX 36 in one of two ways. R3Ds were converted in Redcine-x while the remaining material was directly ingested by AVID and converted to DNX 36. The troublesome files are actually the ones ingested by AVID which I find pretty confusing.

@ Peter – I will try that. Right now the R3Ds have been the easiest to deal with (flawless). I’ll separate the rest by codec and see where that leaves me. I may be wrong, but when I look at the clip attributes, it doesn’t look like I have the options to change the reel settings. Is this something I should address on the AVID side or in Resolve?

Thanks,

Adam

I’ve had the most success with the following workflow. Which is only mildly successful.

Export EDL (File-16) from AVID
Import EDL in REDCine-X and Trim R3Ds. Sending those to the Media Pool folder.
Copy all non-RED footage to Media Pool (the originals). Various formats. DNX 175, H264, Prores HQ. (both 23.98 and 29.97)
Import EDL into Resolve.
RED footage links up 100%. √
50% of the other footage links. √
Some clips have a conflict alert. I select the correct one and then it links up perfectly. √
For the remaining clips I have to select the shot and the corresponding clip and “force conform.” This process doesn’t keep any timecode info (in and outs). So I then have to match by eye.

[Adam Mcclelland]

good one. Thank you!