Forum Replies Created

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  • Aaron Barton

    November 20, 2013 at 11:47 pm in reply to: Broadcast Monitor Color Calibration

    I have a JVC DT-V24G1Z that I’m coloring on and a Panasonic TH-50BT300U as a client monitor.

  • Aaron Barton

    October 22, 2013 at 9:09 pm in reply to: Combining projects without duplicate footage.

    Hey Kevin,

    We’ve got CC. Now since I have the footage already in the master project, if I bring in a sequence in from a different project, won’t it make a second reference to the footage in the project window?

    Thanks,
    Aaron

  • Aaron Barton

    August 17, 2013 at 2:25 pm in reply to: After Effects CC freezing and error

    The error appears consistently for all quicktimes recently, Ive tried replacing with other clips that are quicktime, they all have a tendency to cause error.

    1. The error has occurred when no other programs are running; an im just scrubbing my playhead
    2. No effects, masks, or tranforms
    3. The error occurs with it soloed and not soloed
    4. No specific time in comp does error occur.

    Thank you so much for the help.

    AE6 does not have this problem with quicktimes. Sometimes when I’m running CC I get another error that calls the quicktime a “MOoV” file? With TIFF sequences I’m fine, but that’s alot of transcoding in the middle of a project.

    I have uninstalled and reinstalled AE CC, also reinstalled my AJA drivers. I’m running OSX 10.8.2

    Thanks again for responding.

  • Aaron Barton

    July 15, 2013 at 9:40 pm in reply to: Color Legal

    Hey Angelo,

    Thank you so much for clearing this up for me!!!

  • Aaron Barton

    May 21, 2013 at 8:52 pm in reply to: Laying off multiple channels of audio

    Thanks for the video, I was able to set up my timeline appropriately. My problem now is that I don’t know how to get all of those channels to tape. Here’s a picture of the AJA Device Control for when I layoff to tape and it says that I can only do 8 channels. Is there a way to do more?

    Thanks,

  • Aaron Barton

    August 9, 2012 at 6:53 pm in reply to: AJA Kona 3 Luminance Shift with AE

    In FCP it doesn’t have anything next to Gamma. I did however export one version with no Color Management, and one version with, and the one with was much brighter and my green screen keys didn’t seem to hold up as well.

  • Aaron Barton

    July 10, 2012 at 3:11 pm in reply to: Audio Problems with Kona 3

    Hey Tom,

    I’ve got the Adobe Drivers and the audio’s still acting up. I’ve noticed that before I configured Premiere to use the Kona, it didn’t seem to have any audio problems. I’m wondering if I have a preference set wrong.

  • Aaron Barton

    January 6, 2012 at 7:49 pm in reply to: Streaming Video for Color Correct

    Thanks guys,

    I’m thinking that slingbox might be the best way for us. I’ve been looking and it seems that only one person can log on to a slingbox at a time, so we’re thinking about multiple units and attaching them to a video router.

  • Aaron Barton

    October 17, 2011 at 8:47 pm in reply to: Converting EDL from 23.976p to 59.94i

    Thanks!!

  • Aaron Barton

    June 28, 2011 at 6:16 pm in reply to: Downconverting

    Hey,

    Thanks for the advice. I should have mentioned that I was doing a center crop (my bad).

    Yesterday I imported my sequence into a 720×486 29.97i comp, resized it and rendered it out with the separate fields (lower) and the first cadence. The footage looked fine in FCP, but I’d like to try it with your suggestion of adding the pulldown on the export, to see if it looks any better. (I’m thinking it should be fine either way, but I want to double check.)

    I’m going to re-export and let you know.

    Thanks again,

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