Activity › Forums › Creative Community Conversations › What do you REALLY want to see at NAB? (Non-Apple edition)
-
What do you REALLY want to see at NAB? (Non-Apple edition)
Posted by Tim Wilson on March 26, 2012 at 8:21 amIn keeping with the spirit of a greatly expanded scope of discussion in this forum….
There’s already been plenty of talk about what people want to see from Apple at NAB (Look! A magnetic Mac Pro!!!), but what’s on your list to see from companies who’ll actually be at the show?
And of course, if you’re not going, what will you be watching for from afar?
Tim Wilson
Associate Publisher, Editor-in-Chief
Creative COW Magazine
Twitter: timdoubleyouScott Miles replied 14 years, 1 month ago 19 Members · 28 Replies -
28 Replies
-
Derek Andonian
March 26, 2012 at 9:12 amPremiere Pro CS6!
I’m really hoping Adobe will either introduce their own intermediate codec, or have full support for ProRes and/or DNxHD (import, sequence settings, and export) built in- and have it so transcoding to intermediate files can be gpu-accelerated by the Mercury Engine!
(but please, Adobe, no magnetic stuff…)
______________________________________________
“THAT’S our fail-safe point. Up until here, we still have enough track to stop the locomotive before it plunges into the ravine… But after this windmill it’s the future or bust.” -
Bernhard G.
March 26, 2012 at 10:30 amHello,
what I really would like to see at NAB are all the great hardware scalers
in our I/O-Hardwares being enabled to work F I L E – B A S E D!
We are very proud of our 100% file-based workflow here. But when it comes to video scaling,
every single software out there is simply a mess. I’ve tested them ALL…
I can’t hear nor read “bicubic” and “bilinear” algorithm any more!!!The point is, we already do have the best scalers with
content adaptive scaling and anti-aliasing in our workstations!
But we simply can’t use them file-based; qt file in – processed qt file out.
(Exception: Matrox MAX; really nice but 8bit and H.264 only)
The current workaround sending a live signal out of the computer
to scale and re-capture it is simply a pain! It doesn’t fit into the 21st century!Best regards,
Bernhard -
Bob Woodhead
March 26, 2012 at 10:43 ampretty much in order of desire:
– a rock-your-socks off CS6 PPro
– transition plugins for above from FXFactory, et al
– some moderately priced PL prime lenses to compete with Zeiss CP
– an inexpensive wireless follow focus
– something really cool no one has thought of before“Constituo, ergo sum”
Bob Woodhead / Atlanta
CMX-Quantel-Avid-FCP-Premiere-3D-AFX-Crayola
“What a long strange trip it’s been….” -
Andrew Richards
March 26, 2012 at 1:14 pm[Bernhard Grininger] “The current workaround sending a live signal out of the computer
to scale and re-capture it is simply a pain! It doesn’t fit into the 21st century!”THIS!
Long overdue!
Best,
Andy -
Jeremy Garchow
March 26, 2012 at 1:54 pmI’d like to see what’s going on in the world of LED lighting. Not necessarily frenels, but color temp adjustable panels for key/fill.
I would also like an avc-Intra based af100 type camera from Panasonic. AVCHD is just ok, I’d really like my p2 back! Panasonic also seems to not have a midrange larger chip camera as other manufacturers do.
I would also look for any sort of simple digital catalog softwares. CatDV is really sweet, but we don’t need most of it.
I agree that some more options for lower cost PL/EOS mount lenses would be nice.
I’d go stare at the 24″ FSI monitor.
And a magnetic MacPro preinstalled with Final Cut Awesome.
-
Aindreas Gallagher
March 26, 2012 at 2:22 pm[Bob Woodhead] “a rock-your-socks off CS6 PPro”
yep.
http://www.ogallchoir.net
promo producer/editor.grading/motion graphics -
Steve Connor
March 26, 2012 at 3:05 pmA lower cost C300 would be good, Canon are promising an announcement about something at the show.
To be honest my NAB and IBC wish list gets smaller every year, we live in a fantastic time for shooting and Post Production, there’s a great range of cameras out there that can produce amazing images from the 5D3 to Epic and we have a feature packed range of NLE’s and other software at very reasonable prices.
Steve Connor
“FCPX Professional”
Adrenalin Television -
Shane Ross
March 26, 2012 at 5:14 pmA camera that shoots 4K in 3D for under $3000 US, with 4 XLR inputs and that takes still camera lenses. Then I want a 4K 3D TV that will fill the west wall of my living room (even though my living room is 22 feet wide) so that I can see all my home video in full glorious 3D 4K. In fact, I’m sure that will be the new marketing term they come out with this year….3D4K.
I don’t know what to say, actually. I’m in post, and on the betas of the NLEs I like, so I know what they are up to already. Uhm…. I’d like to see better third party plugin support for Avid Media Composer. The packages they have now are spendy! But I know why…that market is small. VERY small compared to FCX
3D4K…I tell ya…that’s the new war cry.
Shane
Little Frog Post
Read my blog, Little Frog in High Def -
Jim Giberti
March 26, 2012 at 5:36 pm[Jeremy Garchow] “I’d like to see what’s going on in the world of LED lighting. Not necessarily frenels, but color temp adjustable panels for key/fill. “
Likewise Jeremy.
Aside from Kinos, we’ve evolved to a mostly LED setup for location work.
I’ve invested a bunch in panels and am most interested in fresnels at this point. I’m about to try a couple of Solas but I’d like to see what’s shown at NAB. -
Jim Giberti
March 26, 2012 at 5:39 pm[Steve Connor] “A lower cost C300 would be good, Canon are promising an announcement about something at the show.”
I’m still betting on a DSLR form factor with an XF, 50mbps codec, full sensor and EF mount.
I’ll take two.
Reply to this Discussion! Login or Sign Up