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Activity Forums Apple Final Cut Pro Legacy P2 1080 30i down-convert is UGLY

  • P2 1080 30i down-convert is UGLY

    Posted by John-michael Trojan on September 14, 2009 at 4:36 pm

    HI –

    I just recieved some p2 footage from a director who shot both 720p and 1080 30i. My delivery is a standard NTSC d-beta and I’m trying to down-covert the two by setting up a standard NTSC timeline and rendering before output.

    The 720p footage looks fine but the 1080 29.97 footage is completely falling apart. After downconvert there are what looks like extremely large interlacing artifacts.

    I should also note the 1080 footage looks incredibly ratty, but I’m guessing that is the codec – although I’ve seen acceptable looking 1080 footage from the p2 format previously.

    Any suggestions would be great. If you need more specific info let me know. Unfortunately I don’t know what camera was used during production. By looking at the clip is seems to have standard 2:3 pull-down, but I don’t think it was shot 23.98 with pull-down added.

    thanks much for any help provided!

    Walter Biscardi replied 16 years, 8 months ago 4 Members · 16 Replies
  • 16 Replies
  • Shane Ross

    September 14, 2009 at 5:17 pm

    Software downconverts of footage aren’t always good. Going from 720 to 480 might be fine, but 1080 to 480…that is a BIG distance. Having capture cards that do this via hardware is always best. AJA, MATROX, Decklink all do this.

    Shane

    GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
    Read my blog, Little Frog in High Def

  • John-michael Trojan

    September 14, 2009 at 5:19 pm

    thanks – thought that and will do a test shortly using my Aja Kona 3 card. Still, this is unusually bad. I could send you a still to look at if that helps.

  • Shane Ross

    September 14, 2009 at 5:29 pm

    NO need to send the still…I know what it looks like. I did that myself early on, when trying to output 1080i DVCPRO HD to DV. UGH! It faired much better via my Kona LH.

    Shane

    GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
    Read my blog, Little Frog in High Def

  • John-michael Trojan

    September 14, 2009 at 5:30 pm

    As an update – the footage is actually 1080 30p (called pN I think?)

    Also – I have looked at the aja down convert and it displays the same problem.

    thanks!

  • John-michael Trojan

    September 14, 2009 at 5:33 pm

    I also just noticed there is some pretty bad rolling shutter artifacting going on – has anyone seen this on the 30 p setting before? I have a man’s face distorting rather severely.

  • Walter Biscardi

    September 14, 2009 at 5:40 pm

    [John-Michael Trojan] “My delivery is a standard NTSC d-beta and I’m trying to down-covert the two by setting up a standard NTSC timeline and rendering before output. “

    As Shane says, use a capture card to do this, we use the AJA Kona 3’s here. If the footage truly is 720/30 then that is never going to interlace well since it’s missing half the information for each frame, but the Kona 3 does a really good job with it nonetheless.

    And when you drop your material into an SD timeline, you’re reversing the fields, FCP does not handle this well.

    Here’s how the Kona does the downcovert.

    https://forums.creativecow.net/faq/applefinalcutpro#42

    Walter Biscardi, Jr.
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    Credits include multiple Emmy, Telly, Aurora and Peabody Awards.
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  • John-michael Trojan

    September 14, 2009 at 6:07 pm

    OK – I think I’ve got this straight.

    Since it is really recording 59.94 at all times what I have is two matching fields creating a 1080 30p file that runs native at 29.97. (When brought into FCP it says its 1080p30 codec with a frame rate of 29.97).

    Then – since it is 30p adding pull-down doesn’t work since it is already at 30 – so some other odd math is being applied and most likely losing frames somewhere along the line.

    What has provided limited success is using a separate piece of software to convert the file to 23.98pN then adding pull-down. The footage ends up rather smeary, but doesn’t display the same ugly large interlaced looking artifacts.

  • Shane Ross

    September 14, 2009 at 6:20 pm

    Rolling shutter? What camera was this shot with? The HPX-300? And what are you downconverting to? DV?

    Shane

    GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
    Read my blog, Little Frog in High Def

  • John-michael Trojan

    September 14, 2009 at 6:23 pm

    not sure what camera it was… wish I did as that would help the google searches! All I can say is the movement goes to jello…

    I’m trying to go to uncompressed 8-bit.

  • Shane Ross

    September 14, 2009 at 6:24 pm

    [John-Michael Trojan] “Since it is really recording 59.94 at all times what I have is two matching fields creating a 1080 30p file that runs native at 29.97. (When brought into FCP it says its 1080p30 codec with a frame rate of 29.97). “

    1080 is 29.97. 720p is 59.94. What confuses a lot of people is the fact that 1080i is often referred to as 1080i59.94. That is NOT frames per second. Because of the “i” that means FIELDS per second…to 30 frames per second. Whoever thought to call it 1080i59.94 has a screw loose. 1080i29.97 is what it should be called.

    [John-Michael Trojan] “Then – since it is 30p adding pull-down doesn’t work since it is already at 30 – so some other odd math is being applied and most likely losing frames somewhere along the line. “

    Why are you adding pulldown? Where?

    [John-Michael Trojan] “using a separate piece of software to convert the file to 23.98pN then adding pull-down. “

    Wait…what? What are you trying to do? Take 1080i 29.97, convert it to 23.98, then back to 29.97? What on earth for?

    Shane

    GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
    Read my blog, Little Frog in High Def

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