Production Location Options Are Now Global
“Once loyalty begins, it does not have an end. Otherwise, it would not be loyalty.” – Mariko, “Shogun,” FX Productions, 2024 A lot of people…
Tag: Netflix
Use AI Where It Improves Workflow, Workload, Entertainment Value
“An A.I. is like any intelligence. It has needs. It will start to evolve, to influence, perhaps the entire world,” Max Waters, “Transcendence”, Warner Bros,…
We’re Entering Untested Entertainment Territory
“Ventress wants to face it. You want to fight it. But I don’t think I want either of those things.” – Josie Radek, “Annihilation,” Paramount,…
The Educational, Informational Side of IBC
“The story you are about to see is true. The names have been changed to protect the innocent.” Main Title Announcer, “Dragnet,” Mark VII Productions,…
Toronto, Amsterdam Take Center Stage
“Still waiting for the technology to catch up with the idea. I mean it’s not easy, there are a lot of moving parts.” – “Night…
The Content Creation, Consumption Shift Continues
“Philanthropy isn’t tossing a bone to a hungry dog; it’s sharing when you are just as hungry.” – Necia, “Winter Sleep,” Adopt Films, 2014 The…
A Good Movie Is a Good Movie No Matter Where It’s Seen
“The life we enjoy is very much worth the sacrifice.” – Rudolf Hoss, “Zone of Interest,” A24, 2023 Shortly after the end of CinemaCon, we…
The Look Rolls out DaVinci Resolve Studio for Picture Finishing
Blackmagic Design today announced that The Look, a post production company in London and Cardiff, has adopted DaVinci Resolve Studio as its hero system for picturing…
The Power of Making Great Projects Shouldn’t be Wasted
“I love you, Molly. I’ve always loved you,” Sam. “Ditto,” Molly. — “Ghost,” Paramount, 1990 We had wrapped up the business part of a video…
Time for NAB Reality Check
Above image source – “Allegiant,” Summit Entertainment “Great leaders don’t seek power. They’re called by necessity.” Johanna, “Allegiant,” Summit Entertainment, 2016 The great thing…