Latest Addition to Sony’s E-mount Lens Line-Up Offers Evolved Image Quality and Operability for Full-Frame, Content Creation Sony Electronics Inc. today introduced the FE PZ…
SEVERANCE is a mind-bending and visually stunning thriller and one of this year’s best series. Cinematographer Jessica Lee Gagné shares why she was hesitant to take on the…
New lens series is a state-of-the-art statement for the future Cooke Optics has announced the launch of the S8/i Full Frame (FF) series of seven…
DP Byron Werner elevates a small budget film with a big budget feel For the small budget adventure-thriller Nine Bullets, Director of Photography Byron Werner used Cooke…
Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce that the Canon RF lens family is growing by two, with the…
The Last Thing Mary Saw – a Shudder original movie for the AMC Networks’ premium streaming service for horror, thrillers and the supernatural – was shot using Cooke Optics S7/i Prime Lenses so…
Cinematographer Sandra Valde-Hansen (The L Word: Generation Q, Now Apocalypse, White Bird in a Blizzard, Kaboom) found herself capturing scenes in diverse weather and lighting for…
Cinematographers Hermes Marco AEC and Imanol Nabea worked with Cooke S7/i Full Frame Plus and vintage Cooke Speed Panchro S2/S3 sets to bring contrasting scenes…
Cinematic flares and vivid colours bring a new look to the comedy drama Shooting a second season of an award-winning show could potentially be creatively…
The CBC/IMDb TV original crime drama series Pretty Hard Cases – now in its second season – was shot in Toronto; not as the typical stand-in for…
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