The Last Thing Mary Saw – a Shudder original movie for the AMC Networks’ premium streaming service for horror, thrillers and the supernatural – was shot using Cooke Optics S7/i Prime Lenses so…
Cinematographer Sandra Valde-Hansen (The L Word: Generation Q, Now Apocalypse, White Bird in a Blizzard, Kaboom) found herself capturing scenes in diverse weather and lighting for…
Cinematographers Hermes Marco AEC and Imanol Nabea worked with Cooke S7/i Full Frame Plus and vintage Cooke Speed Panchro S2/S3 sets to bring contrasting scenes…
Cinematic flares and vivid colours bring a new look to the comedy drama Shooting a second season of an award-winning show could potentially be creatively…
The CBC/IMDb TV original crime drama series Pretty Hard Cases – now in its second season – was shot in Toronto; not as the typical stand-in for…
Aaron Sorkin’s BEING THE RICARDOS is a masterful retelling of Lucille Ball and Desi Arnaz’s life on and off camera. Cinematographer Jeff Cronenweth ASC shares the camera, lighting and…
Pair a British-born songwriter-director who’s collaborated with musicians like Jay-Z with a Romanian cinematographer known for shooting intense dramas, and what kind of movie might…
David Oyelowo’s film, lensed by Matt Lloyd, finds its own style, ‘due to the choice of lensing and environment’. Cinematographer Matt Lloyd, ASC, CSC, has…
The new zooms enable a complete suite of Cooke full frame spherical lenses, while Panchro/i Classic FF line fulfills the demand for full frame classic…
Reaching for a historic lens is an almost instinctive choice for modern cinematographers, especially those keen to transport an audience back in time. On Old Henry,…
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