Introducing ZEISS Supreme Prime 15mm T1.8
Wide-angle lens completes high-end Supreme Prime Series ZEISS introduces the Supreme Prime 15mm T1.8 to complete the successful Supreme Prime lens set, renowned for outstanding…
Tag: lenses
Sony Electronics Announces the World’s Lightest Constant F4 Wide-Angle Power Zoom Lens, the Compact FE PZ 16-35mm F4 G
Latest Addition to Sony’s E-mount Lens Line-Up Offers Evolved Image Quality and Operability for Full-Frame, Content Creation Sony Electronics Inc. today introduced the FE PZ…
Severance Cinematography, with Jessica Lee Gagné
SEVERANCE is a mind-bending and visually stunning thriller and one of this year’s best series. Cinematographer Jessica Lee Gagné shares why she was hesitant to take on the…
Cooke Optics launches S8/i FF spherical lenses for full frame production
New lens series is a state-of-the-art statement for the future Cooke Optics has announced the launch of the S8/i Full Frame (FF) series of seven…
The Cooke Look Shines Through for Nine Bullets with Anamorphic/i Prime Lenses
DP Byron Werner elevates a small budget film with a big budget feel For the small budget adventure-thriller Nine Bullets, Director of Photography Byron Werner used Cooke…
Go Long: Canon Introduces the RF800mm F5.6 L IS USM and RF1200mm F8 L IS USM Super-Telephoto Lenses
Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce that the Canon RF lens family is growing by two, with the…
The Last Thing Mary Saw Captured with Cooke Optics S7/i Full Frame Plus Lenses
The Last Thing Mary Saw – a Shudder original movie for the AMC Networks’ premium streaming service for horror, thrillers and the supernatural – was shot using Cooke Optics S7/i Prime Lenses so…
ZEISS Supreme Primes Work Day and Night for Plan B — Cinematographer Sandra Valde-Hansen on Large Format
Cinematographer Sandra Valde-Hansen (The L Word: Generation Q, Now Apocalypse, White Bird in a Blizzard, Kaboom) found herself capturing scenes in diverse weather and lighting for…
The Cooke Look brings dimensionality and contrast to In From The Cold
Cinematographers Hermes Marco AEC and Imanol Nabea worked with Cooke S7/i Full Frame Plus and vintage Cooke Speed Panchro S2/S3 sets to bring contrasting scenes…
Cooke Anamorphic/i SF lenses give painterly look to Guilt series 2
Cinematic flares and vivid colours bring a new look to the comedy drama Shooting a second season of an award-winning show could potentially be creatively…