Go Long: Canon Introduces the RF800mm F5.6 L IS USM and RF1200mm F8 L IS USM Super-Telephoto Lenses
Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce that the Canon RF lens family is growing by two, with the…
Tag: lenses
The Last Thing Mary Saw Captured with Cooke Optics S7/i Full Frame Plus Lenses
The Last Thing Mary Saw – a Shudder original movie for the AMC Networks’ premium streaming service for horror, thrillers and the supernatural – was shot using Cooke Optics S7/i Prime Lenses so…
ZEISS Supreme Primes Work Day and Night for Plan B — Cinematographer Sandra Valde-Hansen on Large Format
Cinematographer Sandra Valde-Hansen (The L Word: Generation Q, Now Apocalypse, White Bird in a Blizzard, Kaboom) found herself capturing scenes in diverse weather and lighting for…
The Cooke Look brings dimensionality and contrast to In From The Cold
Cinematographers Hermes Marco AEC and Imanol Nabea worked with Cooke S7/i Full Frame Plus and vintage Cooke Speed Panchro S2/S3 sets to bring contrasting scenes…
Cooke Anamorphic/i SF lenses give painterly look to Guilt series 2
Cinematic flares and vivid colours bring a new look to the comedy drama Shooting a second season of an award-winning show could potentially be creatively…
Cooke Optics 5/i Primes Bring an “Organic, Magical Quality” to Pretty Hard Cases
The CBC/IMDb TV original crime drama series Pretty Hard Cases – now in its second season – was shot in Toronto; not as the typical stand-in for…
Being the Ricardos Cinematography, with Jeff Cronenweth ASC
Aaron Sorkin’s BEING THE RICARDOS is a masterful retelling of Lucille Ball and Desi Arnaz’s life on and off camera. Cinematographer Jeff Cronenweth ASC shares the camera, lighting and…
Cinematographer Mihai Mălaimare Jr. employs a mix of optics with DXL2 to craft the widescreen western The Harder They Fall
Pair a British-born songwriter-director who’s collaborated with musicians like Jay-Z with a Romanian cinematographer known for shooting intense dramas, and what kind of movie might…
Cooke Anamorphic/i and S4/i Primes Bring the ‘Adventure’ of Magical Realism to the Screen in The Water Man
David Oyelowo’s film, lensed by Matt Lloyd, finds its own style, ‘due to the choice of lensing and environment’. Cinematographer Matt Lloyd, ASC, CSC, has…
Cooke adds to Full Frame family with two Varotal/i FF zoom lenses and Panchro/i Classic FF range
The new zooms enable a complete suite of Cooke full frame spherical lenses, while Panchro/i Classic FF line fulfills the demand for full frame classic…