[Zameer Tamboli]

IF YOU ARE WORKING WITH THE SEQUENCE ,THAT AUDIO FILES COMES WITH THE VIDEO FILES AUDIO SOURCE
( EMBEDDED AUDIO WITH THE VIDEO E.G. 5D CAMERA .MOV FILE WITH THE INTERNAL CAMERA MIC AUDIO.)

THEN YOU SHOULD NOT EXPORT .AAF …

BECAUSE WHEN YOU IMPORT THAT AAF IN TO PROTOOLS IT WILL ASK YOU TO LOCATE ORIGINAL SOURCE AUDIO MATERIAL.

IN THAT CASE PROTOOLS CANNOT RELINK THAT AUDIO WHICH IS EMBEDDED WITH VIDEO FILES. 🙁

AND YOU CANT WORK 🙁 🙁

SO DONT WORRY HERE IS THE SOLUTION

EXPORT ONLY .OMF WITH TRIMED AUDIO + HANDLE LENGHT OF 100 FRAMES.
BECAUSE SINGLE OMF FILE SHOULD BE BELLOW 2 GB IN SIZE ..(OMF SIZE LIMIT)

AND DONT FORGOT TO HANDOVER AUDIO FOLDER WHICH IS AUTOMATICALLY CREATED WHEN SAVING .OMF

;0 🙂

IN END RESULT SOUND GUY HAPPY

[Zameer Tamboli]

can adobe ppr give us option When creating new audio MASTER track

Like This

Master Track Layout Types =
= L C R Ls Rs LFE (C 24/FILM)
= L R C LFE Ls Rs (SMPTE/ITU)
= L R Ls Rs C LFE (DTS Monitoring)
= LxCxR Ls Rs LFE (D-Command/D-Control)

For Creating User Define Master Track

[Zameer Tamboli]

Same here

i cannot send my LFE mix to only LFE channel..

it is feeding LR also…
?????? why ????

reason only know Adobe engineer..

May god Give good Sound mixer window designer to Adobe..:)