Willie Toth
Forum Replies Created
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Nigel,
Track one cleans up nice, but it’s the other mic in the cleaning process that may add a bit more echo to the voice … Here is what you do … Load the clip onto the EDIT side of the program go to EFFECTS > NOISE REDUCTION > NOISE REDUCTION then highlight JUST THE NOISE you want to remove left click on OK … Open the NOISE REMOVAL back up and highlight the whole clip, (it will still have the settings you want) … I found that you should remove by about 90%, left click on OK and it will remove your noise … You will have to recapture for each offending noise … Remove at about 70% for the rifle mic …… WILLIE
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A dedicated noise removal program may be an asset …….. WILLIE
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By using the “HYBREAD” tool on the session side you can speed a track up or slow it down by grabbing the left end of the track, left click and move it to the left to make it smaller or speed it up and to the right to make it longer or slow it down ……… WILLIE
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Skye,
Even if you use envelpoes you are still going to have to manually draw the line, so either method is going to take time, as to what one is faster and or easier with 1.5 I would highlight and amplify … WILLIE
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Skye,
The best way to do this is to just highlight the low spots one at a time with the track on the edit side and amplify it … There is too much of a gain difference to use the hard limit feature … It might take some time but it will be worth ir in the end … WILLIE
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Mark,
Wish we could have had the answer for you … I think sticking to 1.5 is a good choice … I do both video and music and I love 1.5, it’s about as close to flawless as software can be …….. WILLIE
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Mark,
As Ozpeter pointed out this is a problem that is very difficult to trouble shoot on this forum … Personally I find that 2.0 has some issues, so for now I am sticking with 1.5 I might suggest the same for you if it does everything you want it to do … You know what they say, if it works don’t fix it …….. WILLIE
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You need an AVI format for Audition …
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So here is the question I pose to you, “If you like the sound you are getting why change?” Personally I really like my Lala 24/96 in conjuction with my Allen & Heath 20:8:2 mixing board … The bottom line here is simple, if it works don’t fix it …… WILLIE
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OK, forget my last post … Drums can be a hard nut to crack cuz most people don’t have a large enough room to record them properly … On the inputs use mono channels panned center … Bleed through is going to be your biggest problem … When I record a drum kit I do a couple of things that seem to really help since my studio is so small … I have the drummer remove the bottom heads from the toms and the front head from the kick unless there is already a hole in the head of the kick, this way I can mic it just inside of the drums helping cut down bleed through … Now here is a trick that I use that seems to really help … I record the drums the first time without the overheads on, then I mute the snaire with a 3″ foam pad, mute the rest of the mic and turn the overheads on … I have the drummer play it again without using the rest of the drums other than the muted snaire to help keep him in time and record just the overheads … I get a really nice seperation this way … I find a small diaphram mic works best on the snaire and cymbals while a larger diaphram works best on the toms and kick … I have also found that a dynamic mic works best on the toms and kick … This method works for me but you may have to vary things for your setup I also use an 8 channel compressor limiter, sparingly, but it does help … WILLIE