Forum Replies Created

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  • William Carr

    November 20, 2013 at 3:24 pm in reply to: H264 to PR to DVD? Or MPEG to MPEG is Good?

    No there’s no added elements, just a straight conversion. Thank you, could not figure out if interframe-to-interframe loses anything in a conversion.

  • William Carr

    November 20, 2013 at 3:09 am in reply to: H264 to PR to DVD? Or MPEG to MPEG is Good?

    I’d definitely take care of all of that for them usually, but they are on the road.

    Thanks for the confirmation that no benefit is to be derived from an intra-frame interim step.

  • William Carr

    November 19, 2013 at 10:37 pm in reply to: H264 to PR to DVD? Or MPEG to MPEG is Good?

    Sorry! I forgot to mention the client is in Europe in a place with very limited access to internet bandwidth, on a very tight time frame and without local expertise. But they do have a Mac with FCP7.

  • William Carr

    November 19, 2013 at 10:19 pm in reply to: New Macbook Pro and FCP 7

    I used Migration Assistant to transfer my entire 2010 Macbook Pro into my brand new Retina Macbook Pro, including FCP 7 which works fine and renders faster in the new machine. Other than reinstalling from the app disks, Migration Assistant may be the only practical method.

  • William Carr

    November 1, 2013 at 1:15 am in reply to: Re: exporting to Apple Pro Res HQ from FCP

    Export it as its current format into a self-contained movie, then quit FCP, then use 3rd party software (Apple’s Compressor or MPEG Streamclip etc.) to convert to h264.

  • William Carr

    October 25, 2013 at 4:43 pm in reply to: Slowly Unsyncing Audio

    Transcode clips to ProRes. Convert audio to AIFF 48/16. Make a new sequence by placing PR video clip on fresh one and conforming it to match. Try syncing again.

  • William Carr

    October 12, 2013 at 5:28 pm in reply to: Mac Mini as Conversion Machine– RAM & Cores matter?

    I didn’t find direct info that Resolve can start with the Lumix GH3’s mp4 mov files; in the articles and posts I found most users start with raw and higher-end acquisition clips. Anyway, Resolve Lite is free so I’ll try it!

    These days with Compressor, I throw in batches of 50-75 clips at a time. The latest version, plus a new MBPRO w/ 2.8 GHz Intel Core i7 and 2 external USB3 RAID-0, I have happily not experienced the unacceptable freezing and crashing that plagued me on the previous system.

  • William Carr

    October 11, 2013 at 9:41 pm in reply to: Mac Mini as Conversion Machine– RAM & Cores matter?

    Thank you! Great info!

  • William Carr

    September 15, 2013 at 4:43 pm in reply to: GH3 Slo-mo: which method better quality?

    I did test both and the difference is not detectable on the desktop system w/ external monitor. It’s something that might be an issue down the pipeline of post-production and with larger display exhibition.

    Common sense says that higher bitrate is better, so if slo-mo viewing in-camera is not a demand on site I’m concluding the professional choice is shoot at 59.94 and have the inherent quality in the workflow.

  • William Carr

    September 11, 2013 at 1:01 am in reply to: MP4 copy protection, subtitles etc.

    You could also think about using Vimeo’s pay service:

    https://vimeo.com/creatorservices/ondemand

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