Vince Becquiot
Forum Replies Created
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Hi Geoff,
Although I wouldn’t say we are in a broadcast environment, all of our routing is SDI. In our case, we are using both AJA, and Blackmagic hardware, but if you want solid, go for AJA.
We routinely run both After Effects and premiere at the same time, but are you instead referring to networked hardware running of the same project?
Vince Becquiot
Kaptis Studios
San Francisco – Bay Area -
Hi Michael,
What version of Premiere are you using?
The compatible media error will come up if you try to import the entire content folder. You should navigate to the “Video” folder inside the content folder, and only import these files.
Also, are these the original folders from the card?
Vince
Vince Becquiot
Kaptis Studios
San Francisco – Bay Area -
Hi Michael,
You should able to choose import, navigate to the video folder inside the content folder and hit import.
The import should only take a few seconds.
Vince Becquiot
Kaptis Studios
San Francisco – Bay Area -
Hi John,
I am not a software engineer, but the way I understand it, Premiere uses QT to provide support for Prores.
I am pretty sure they could not implement it as part of the program like they do with DVCPro without Apple’s blessing. That’s what I mean by closed.
Vince Becquiot
Kaptis Studios
San Francisco – Bay Area -
Hi John,
The simple answer is it won’t be. Prores is only available because FCP is installed.
The bar will go away for what Adobe calls “native” codecs.
Prores is a closed format, and it will never be otherwise unless Apple decides to…
Are you having issues with realtime playback?
I use Prores on a regular basis (mac side) and it plays very nice on our Macpro 3.1. It also plays fine on our i7 machine.
Vince Becquiot
Kaptis Studios
San Francisco – Bay Area -
The best/fastest option right now is Neat for Premiere.
Vince Becquiot
Kaptis Studios
San Francisco – Bay Area -
Hi Richard,
You may be referring to easing. You simply select the keyframes in the effects control panel, right click and choose interpolation, then select ease in then ease out.
Here’s a complete guide to interpolation.Vince Becquiot
Kaptis Studios
San Francisco – Bay Area -
[Brittany DeLillo] “I checked my settings in FCP. Video output is set to 1080p, 23.976 to 59.94. But, that made me wonder if changing from Progressive to Interlaced would make a difference in Premiere. And it does. AVCHD, Interlaced, 59.94i sends Alexa and 5D footage to the monitor in 1920×1080 sequence. Why would it differ from one NLE to another?”
I honestly don’t know how FCP processes the output, but it is very differently than Premiere in that is integrated while Premiere requires presets instead.
[Brittany DeLillo] “As for the mixer, are you saying that it would experience peaking when outputting through the BM card?”
Yes, the input is peaking, as the mixer can’t handle the high gain input. if you want to test that theory, you can get a 1/2″ to XLR adapter and plug it into the Mic input. You will get a bit more control since you’ll have access to the trim knob, but you will see that peaking red light on most of the time.
Cheers,
Vince
Vince Becquiot
Kaptis Studios
San Francisco – Bay Area -
[Brittany DeLillo] “Would it still be a connection issue if I can get the same video to play back in 1080p in both Final Cut Pro and After Effects?”
It certainly could be related to Premiere, but the issue on our end has always been with the HDMI connection. It has issues with 1080/30P and 1080/24P
Are you sure that FCP was not sending out 60i at all times? Plasmas are very picky about what you are sending to them through HDMI.
On the Mackie mixer, unfortunately, it doesn’t not have a pad. If you are taking the signal in the 1/4″ channels (9/10?), you are not seeing the red peaking light, since there isn’t one, but it’s definitely peaking.
Vince Becquiot
Kaptis Studios
San Francisco – Bay Area -
On my previous post, I mentioned a DI box, I should probably find out what equipment you are using before I recommend a 1/4″ out box.
Vince
Vince Becquiot
Kaptis Studios
San Francisco – Bay Area